The Divine Gas, 2006 - Chiho Aoshima
About the Work
About The Divine Gas
This work embodies both the sweet and the sinister elements that run through Aoshima's work. The image depicts an overgrown girl essentially "passing gas," an emission Aoshima transforms into a beautiful landscape of billowing lavender, and is based on ...Read More
This work embodies both the sweet and the sinister elements that run through Aoshima's work. The image depicts an overgrown girl essentially "passing gas," an emission Aoshima transforms into a beautiful landscape of billowing lavender, and is based on a mural of the same title commissioned by the Institute of Contemporary Art/Boston's Sandra and Gerald Fineberg Art Wall.Read Less
About the Artist
About Chiho Aoshima
Not formally trained in art, Aoshima graduated from the Department of Economics at Hosei University before going to work for the artist Takashi Murakami, who eventually made her a member of his Kaikai Kiki collective. From there, Aoshima went on to create colorful large-scale dreamscapes on paper, canvas, plexiglass, and aluminum, as well as sculptures and animations. Employing traditional design practices and computer technology to create her flat compositions, Aoshima was included in the Walker Art Center exhibition Superflat (2001), organized by her mentor, Murakami. In 2003, Aoshima made her first foray into fashion, collaborating with legendary Japanese designer Issey Miyake on his Spring/Summer Collection. The following year, she was invited to participate in the 54th Carnegie International at Carnegie Museum of Art, Pittsburgh, where she unveiled her largest wallpaper piece to date, measuring 106 feet in length by 15 feet in height.
Since then, she has completed various public art installations, including a series of murals in the Union Square subway station in New York City and a fantasy cityscape running the length of London's Gloucester Road Tube station. Most recently she has collaborated with New Zealand-born Bruce Ferguson on a lengthy panoramic animation that hangs in the lobby of the Museum of the Moving Images' new building in New York City.Read Less
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