Karen Rosenberg
Bio
About the Author
Karen Rosenberg is an art journalist, editor, and critic. Prior to joining Artspace she wrote for the New York Times on a weekly basis, reviewing museum and gallery shows in and around New York. She has also been a Contributing Editor at New York magazine and has written for many other publications. She holds a M.A. in Modern Art and Critical Studies from Columbia University and a B.A. in English from Yale.
Articles
Articles
- The Degas You Didn’t Know: 7 Eye-Opening Revelations From MoMA’s New Show
- Barkley L. Hendricks on Why You Shouldn't Call Him a Political Artist
- Meet the Dealers: Circle Art Agency Connects Nairobi to New York and Dubai With Cutting-Edge Video Art
- 10 Standout Painters to Discover From Independent New York 2016
- The Museum "Non-Finito": How the New Met Breuer Reflects the Digital Disruption of Art History
- Independent's Day: Laura Mitterrand on the Chic "Curated" Fair's Latest Moves
- Inside New York's Swankiest Art Fair: A Connoisseur’s Preview of the ADAA
- Collecting With a Conscience: At Home With Tribeca’s Bernard Lumpkin and Carmine Boccuzzi
- A Few Questions for Photo-Sculptor Kate Bonner on Making the Frame the Star
- Artist Pia Camil on Infiltrating Instagram With Her Subversive Takes on Shopping and Other “Capitalist Strategies”
- How Outsider Art Entered the Inner Sanctum of World-Class Museums: A Q&A With Phillip March Jones
- In Search of Lost Time: How the Art World Dispensed With Chronology in 2015 (and Why 2016 Will Be the Year of the “Historical-Contemporary”)
- White Light/White Heat: Why Robert Ryman's Subtle Monochromes Dazzle Anew at Dia
- The 10 Best Booths at NADA Miami Beach
- Confessions of Two NADA Superfans: A Q&A With Chicago's Robert and Nancy Mollers
- Jeffrey Deitch on Why Figurative Art Rules the Zeitgeist, and His New Calling as a Pop-Up Impresario
- Bob Nickas on How the Art Market Has Co-Opted Criticism—and How Critics Can React
- Photographer Catherine Opie on How Holbein, Da Vinci, and Cindy Sherman Shaped Her View of the Body
- Interior Designer Lauren Geremia on What Silicon Valley Start-Ups Are Looking for in Art
- "It’s Not Exactly Fun": Frank Stella on the Angst and Agita of Having a Major Career Retrospective
- How Frank Stella's Minimalism Went From Canvas to Cushion
- Curator Massimiliano Gioni on the Uncanny Power of Contemporary Figurative Sculpture
- Dana Schutz on Making Paintings that Push Back
- Martine Syms's Master Class in Micro-Acting for the YouTube Age
- The Rise of the Projected Painting: 5 Artists Who Fuse Canvases and Circuitry
- In His Performance-Art Debut at the Kitchen, Sam Falls Mixes Paintings With Painful Memories
- What Does the Great American Landscape Look Like in the Age of Fracking? A Q&A With Photographer Andrew Moore
- The Nun Who Went Pop: Looking at the Exuberant Art of Sister Corita Kent
- Pint-Size Picasso? 8 Miniature Masterpieces From MoMA's Sculptural Tour de Force
- Barnaby Furnas on His New Paintings of Celestial Battles, and the Allure of Quaker Mysticism
- Collector Brad Hajzak on Cherry-Picking the Best of New York's Downtown Scene From His New Haven Loft
- Keltie Ferris on Bringing the Sensual Human Body Into Her Post-Digital Painting
- Jessica Jackson Hutchins on Becoming an Accidental Painter & Building a New Art Scene in Portland
- Hunting for the Next Hot Young Thing? Michael Smith Valiantly Defends the Virtues of Age at Greene Naftali
- A Golden Era of Underground Art Gets Its Freak On in "What Nerve!" at Matthew Marks
- Wall Power: Murals in Two Chelsea Shows, Ephemeral as Mayflies, Subvert the Sky-High Real Estate Market
- Inside Collector Sue Stoffel's Upper West Side Home, a Hive for Emerging Art and Spirited Soirées
- The Colorful Afterlife of Analog, in Zoe Leonard's Photo-Archive at MoMA
- Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex
- Lynda Benglis on Her Aquatic Sculptures, the Art of Buoyancy, and That Infamous Artforum Ad
- The Secession Strikes Back: 5 Rising Art Stars Inspired by the Vienna of Klimt and Schiele
- Three Artists at NADA New York Who Are Reinventing the Photogram
- American Pavilion Curator Paul C. Ha on Why Joan Jonas Represents U.S. Art Today
- NADA Director Heather Hubbs on What Happens Next
- Revisiting the Subversive Political Selfies of Tseng Kwong Chi, the Reagan Era's Stephen Colbert
- The Whitney's Buried Treasures: 10 Rarely Seen Masterworks Making Their Debut in the New Building
- After the Endgame: "Painting Beyond Pollock" Author Morgan Falconer on Where the Medium Is Going
- Philip-Lorca diCorcia on Capturing the Inequality of the Great Recession
- Is Photorealism Art or Craft? The Museum of Arts and Design's First Paintings Show Raises Tricky Questions
- Art Provocateur Piotr Uklański on Finding Sex and Death in the Met's Collection
- Scent of 100 Women: Artist Anicka Yi on Her New Viral Feminism Campaign at the Kitchen
- 7 Underappreciated Artists Seize the Spotlight at the ADAA Fair
- Legal Hearing: The Politicized Sound Art of Lawrence Abu Hamdan
- At the New Museum Triennial, Post-Internet With a Poet's Touch
- If These Walls Could Talk: 5 Intimate Views of Legendary Artists' Studios
- Alt History: 8 Groundbreaking Works That Show Why We Still Love the ‘90s
- Alec Soth on His Novelistic Approach to Photography, and his Paean to the Small-Town Newspaper
- An Inside Look at the 2015 Outsider Art Fair
- Araya Rasdjarmrearnsook on Lecturing the Dead, and the Art of the One-Sided Conversation
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