More Spots, 2004 - Marilyn Minter
About the Work
About More Spots
More Spots is a close-up of a woman's sweaty face, zooming in on her closed eye, which is covered in glitter. Strands of matted hair hang in front of the lens, emphasizing Minter's interest in capturing imperfections. In ...Read More
More Spots is a close-up of a woman's sweaty face, zooming in on her closed eye, which is covered in glitter. Strands of matted hair hang in front of the lens, emphasizing Minter's interest in capturing imperfections. In the artist's words, "Everybody's makeup runs...I'm interested in that part when things start falling apart." Read Less
About the Artist
About Marilyn Minter
Painter and photographer Marilyn Minter's work explores themes of sex, glamour, imperfection, and femininity. Her early work, primarily photo-realistic paintings of the 1970s and ...Read More
Painter and photographer Marilyn Minter's work explores themes of sex, glamour, imperfection, and femininity. Her early work, primarily photo-realistic paintings of the 1970s and 1980s, responded to contemporary representations of women and women's work, including paintings of spills on kitchen floors and reproductions of images found in cookbooks and women's interest magazines. In 1989, she began her controversial series Porn Grids, large-scale paintings of hardcore pornography. As the artist has stated, she was attracted to this subject because she believed it was one that "women artists never owned."
Her photographs similarly blur the boundaries between genres, creating works that draw on the aesthetics of fashion and advertising imagery to examine conceptions of glamour. In her Mouth series, glossy close-ups of brightly colored mouths appear to be regurgitating candy, glitter, jewels, and pearls.
In 2006, Minter's photographs were transformed into billboards and placed around New York's Chelsea, a project sponsored by the public art organization Creative Time. Her work has been exhibited at institutions including the Museum of Modern Art, the San Francisco Museum of Modern Art, and the Dia Art Foundation, and she was included in the 2006 Whitney Biennial.Read Less
Her photographs similarly blur the boundaries between genres, creating works that draw on the aesthetics of fashion and advertising imagery to examine conceptions of glamour. In her Mouth series, glossy close-ups of brightly colored mouths appear to be regurgitating candy, glitter, jewels, and pearls.
In 2006, Minter's photographs were transformed into billboards and placed around New York's Chelsea, a project sponsored by the public art organization Creative Time. Her work has been exhibited at institutions including the Museum of Modern Art, the San Francisco Museum of Modern Art, and the Dia Art Foundation, and she was included in the 2006 Whitney Biennial.Read Less
Description
C-PrintAuthentication
Signed by the artist on label.Dimensions
This work comes in a frame measuring 49.5" x 36".Shipping
Ships in 10-14 business days.This work is final sale and not eligible for return.
Additional Information
Edition 1 of 2.ARTSPACE ADVISOR
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