About The Work
This work is from a portfolio of ten prints selected by Cubitt’s innovative Curatorial Fellowship, which gives an emerging curator the opportunity to develop an exhibition program across an 18-month period. Curator Tom Mortonselected this work by Matthew Day Jackson. The artist has said that the title of his print is “the date of the Hiroshima bombings and perhaps suggests that the bomb that was dropped in Hiroshima had no end and led to the complete burning of the entire globe… Not just one, but all of the devices that came forth after Gadget, Little Boy, and Fat Man, Joe…etc. became one destructive body… All it would take is one device to begin the ultimate endgame.”
Courtesy of Cubitt
About Matthew Day Jackson
From The Magazine
Digital print, screen print on Rives Lightweight 115gsm
16.14 x 22.44 in
41.0 x 57.0 cm
This work is signed.
About The Work
This work is from a portfolio of ten prints selected by Cubitt’s innovative Curatorial Fellowship, which gives an emerging curator the opportunity to develop an exhibition program across an 18-month period. Curator Tom Mortonselected this work by Matthew Day Jackson. The artist has said that the title of his print is “the date of the Hiroshima bombings and perhaps suggests that the bomb that was dropped in Hiroshima had no end and led to the complete burning of the entire globe… Not just one, but all of the devices that came forth after Gadget, Little Boy, and Fat Man, Joe…etc. became one destructive body… All it would take is one device to begin the ultimate endgame.”
Courtesy of Cubitt
About Matthew Day Jackson
From The Magazine
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