$, 2003 - Richard Phillips
About the Work
About $
Characteristic of Richard Phillips's hyper-realistic portraits of idealized beauty, $ shows a naked model set against a blown-up image of a dollar bill, with symbols lifted from the bill superimposed on the model's body. Whereas Phillips usually claims to ...Read More
Characteristic of Richard Phillips's hyper-realistic portraits of idealized beauty, $ shows a naked model set against a blown-up image of a dollar bill, with symbols lifted from the bill superimposed on the model's body. Whereas Phillips usually claims to provide a "beautiful, disassociated environment for the image to sit in," in this portrait, the environment and the subject become one and the same. Rendered in black and white, the commercial symbols stamped on the money become part of the model's skin. By fusing the two to create a whole, Phillips is able to comment on the way signifiers of commodity culture, whether or not visible in commercial advertising, are always intertwined.
A charcoal and chalk version of this work is part of the permanent collection at the Museum of Modern Art in New York, NY.Read Less
A charcoal and chalk version of this work is part of the permanent collection at the Museum of Modern Art in New York, NY.Read Less
About the Artist
About Richard Phillips
Richard Phillips has achieved international fame for his large-scale hyper-realistic portraits that appropriate material from a range of cultural sources: porn, advertising spreads from the ...Read More
Richard Phillips has achieved international fame for his large-scale hyper-realistic portraits that appropriate material from a range of cultural sources: porn, advertising spreads from the '50s, '60s, and '70s, photographs, and Pop paintings. His close-up, highly stylized renderings of his subjects' faces are often set against a bold, neutral background that disassociates them from their original context. The people in his portraits are almost eerie and empty in their perfection, resulting in beautiful images that provoke a disengaged, disembodied psychological state in the viewer. Although some may read cynicism, irony, or inhumanity in the empty faces of his canvases, he argues that his intention "is not to be ironic or make disparaging commentary."
Recently Phillips has gained notoriety for receiving product commissions from brands including Montblanc, MAC cosmetics, and Jimmy Choo, as well as the inclusion of his painting Spectrum (1998) on the show Gossip Girl. He has exhibited his work in numerous group shows internationally including the Whitney Biennial, New York, NY (1997). He has had numerous solo shows at White Cube, including his most recent exhibition Most Wanted, a series of portraits culled from red carpet photographs of contemporary celebrities like Lindsay Lohan, Justin Timberlake, and Miley Cyrus.Read Less
Recently Phillips has gained notoriety for receiving product commissions from brands including Montblanc, MAC cosmetics, and Jimmy Choo, as well as the inclusion of his painting Spectrum (1998) on the show Gossip Girl. He has exhibited his work in numerous group shows internationally including the Whitney Biennial, New York, NY (1997). He has had numerous solo shows at White Cube, including his most recent exhibition Most Wanted, a series of portraits culled from red carpet photographs of contemporary celebrities like Lindsay Lohan, Justin Timberlake, and Miley Cyrus.Read Less
Description
LithographAuthentication
Signed and numbered by the artist on recto.Shipping
Ships in 10-14 business days.This work is final sale and not eligible for return.
ARTSPACE ADVISOR
We are here to help. Please let us know if you have any questions about this work, the artist, collecting in general or artists you'd like to see on Artspace. Please call us at (212) 675-5804 or email chairman@artspace.com and we'll respond within 24 hours.



