Sleep Mode, 2004 - Yael Kanarek
About the Work
About Sleep Mode
This photograph is from Yael Kanarek's series Code: Skin in which the classic art historical nude engages directly with new technology. For this project, the artist wrapped a dancer in a dress of soft ribbon printed with source code ...Read More
This photograph is from Yael Kanarek's series Code: Skin in which the classic art historical nude engages directly with new technology. For this project, the artist wrapped a dancer in a dress of soft ribbon printed with source code from the Linux operating system and asked her to perform functions of software such as "Sleep_Mode" and "Attached."Read Less
About the Artist
About Yael Kanarek
Yael Kanarek's creative practice centers on the fundamental hypothesis that language and numerals render reality, and that this reality is an entirely subjective unified ...Read More
Yael Kanarek's creative practice centers on the fundamental hypothesis that language and numerals render reality, and that this reality is an entirely subjective unified field. Through the shuffling of physical properties that construct our use of language (matter, shape, sound), Kanarek's work examines how verbal signifiers operate emotionally.
Employing modes of authorship such as storytelling and multilingualism, Kanarek manipulates the biographical predisposition of cultural associations. As an Israeli-American, Kanarek's perception is tempered by an awareness of post-national borderlines. Her work enters spaces of meaning determined by a global network and the negotiation of identity that occurs when confronted with multiple systems. Crossing these sensibilities with her observation of the Internet as a network made of language—natural and computer —her most recent projects highlight connection and rejection.
Kanarek's work was selected for the 2002 Whitney Biennial, and exhibitions of her work have been shown all over the world, from New York galleries and museums to Beral Madra Contemporary Art in Istanbul to the National Museum of Contemporary Art in Athens. She has been the recipient of several grants and fellowships and founded Upgrade! International in 1999.Read Less
Employing modes of authorship such as storytelling and multilingualism, Kanarek manipulates the biographical predisposition of cultural associations. As an Israeli-American, Kanarek's perception is tempered by an awareness of post-national borderlines. Her work enters spaces of meaning determined by a global network and the negotiation of identity that occurs when confronted with multiple systems. Crossing these sensibilities with her observation of the Internet as a network made of language—natural and computer —her most recent projects highlight connection and rejection.
Kanarek's work was selected for the 2002 Whitney Biennial, and exhibitions of her work have been shown all over the world, from New York galleries and museums to Beral Madra Contemporary Art in Istanbul to the National Museum of Contemporary Art in Athens. She has been the recipient of several grants and fellowships and founded Upgrade! International in 1999.Read Less
Description
Lambda chromogenic print, Plexi mounted on face with sintra mount on the back.Shipping
Ships in 10-14 business days.This work is final sale and not eligible for return.
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