Gerhard Richter

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Articles

Q&A: Amy Cappellazzo Discusses HBO's "The Price of Everything"
12 Affordable Artworks by Artists in the May Auctions
Eleven Art Books to Add to Your Summer Reading List
Chuck Close in Conversation with Vija Celmins
7 Coppenhagen Artists You Need to Know
Wilhelm Sasnal on How Painters Can Fight Fascism
Isa Genzken on Finding Her Place in Art History
Here's How 10 Masterpieces Got Sold at Christie's
Hans Ulrich Obrist on Why Painting Is Urgent Now
Can You Really Buy a Richter for $5,000?
Marlene Dumas on Why Artists Should Be Ambiguous
Tiffany Zabludowicz on Work in Progress's Finale
Steal vs Splurge: Collect the Big Auction Stars
10 of the Best Artworks at Art Cologne 2016
The Museum "Non-Finito": Inside the Met Breuer
How Rachel Harrison Took on Charles Darwin
10 of the Best Artworks at Art Basel Miami 2015
15 Shows to See During Frieze London
How to Pronounce Artists' Names, Vol. 5
Tour Collector Sue Stoffel's Upper West Side Home
10 of the Best Artworks at Art Basel 2015
Alain Servais on Art-Market Insider Trading
Jackie Saccoccio Wins the Artadia NADA Award
Alain Servais on the Venice Biennale as Art Fair
Morgan Falconer's 7 Favorite Works on Artspace
6 Artworks to Invest in This April
Photorealism: Art or Craft? Richard Estes at MAD
Art and Eric Garner, & More
Alt History: 8 Groundbreaking Works From the '90s
Victoria Siddall on Her Plans for Frieze
The Extraordinary Legacy of Anthony D’Offay
Artists Who Rock: 8 Artist-Led Bands That Matter
How the Grid Conquered Contemporary Art
How the Düsseldorf School Remade Photography
Zöe and Joel Dictrow on a Life of Chasing Art
How to Talk About Contemporary Art, Part II
6 Artworks to Invest in This June
Art Collectors of Our Time: A Field Guide
The World's Most Influential MFA Programs, Part 2
How to Understand the Record Auction Week
Sigmar Polke, Bad Ass of German Pop, Rocks MoMA
Street Art Comes in From the Cold
What Does Photography Even Mean Anymore, Really?
Analyzing the New Market Stars in London's Sales
A Heroic German Dealer Gets His Due & More
On Isa Genzken’s Schizoconsumerist Aesthetic

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