Born 1932
Hometown Dresden, Germany
Lives and Works Cologne, Germany
Kunstakademie, Dresden, Germany, 1956
Staatliche Kunstakademie Düsseldorf, Düsseldorf, Germany, 1964

Solomon R. Guggenheim Museum, New York, NY
Museum of Modern Art, New York, NY
The Art Institute of Chicago, Chicago, IL
San Francisco Museum of Modern Art, San Francisco, CA
Tate Modern, London, England
Miami Art Museum, Miami, FL

Marian Goodman, New York, NY

German artist Gerhard Richter creates both abstract and photo-realistic paintings. One of the first German painters to grapple with the country's National Socialist history, Richter's inspirations include black and white photographs taken during the 1960s and early 1970s, private snapshots of his family—many of whom were members of the Nazi party—images appropriated from newspapers and books, and aerial views of towns, mountains, and seascapes. His series of 48 portraits of well-known composers and writers, such as Gustav Mahler, Jean Sibelius, H.G. Wells, and Franz Kafka, was exhibited at the German Pavilion in the 1972 Venice Biennale. Richter obscured the details of each image using thick, heavy applications of paint, making the canvases seem ominous and spectral, sinister remnants of memories from an undefined past.

Other works by Richter abandon figurative references entirely, veering into complete abstraction. These works include his color chart paintings from the mid-1960s and his compositions of shrill ribbons of color and broad brushstrokes that came to define his work in the 1970s. As Lucius Grisebach has noted, "Even these supposedly wholly invented paintings retained a second-hand look, as if the brushstrokes had been copied from photographic enlargements."

Works Available for Purchase



How the Grid Conquered Contemporary Art
On Isa Genzken’s Schizoconsumerist Aesthetic
What Does Photography Even Mean Anymore, Really?
A Heroic German Dealer Gets His Due & More
Analyzing the New Market Stars in London's Sales
Street Art Comes in From the Cold
Sigmar Polke, Bad Ass of German Pop, Rocks MoMA
How to Understand the Record Auction Week
6 Artworks to Invest in This June
The World's Most Influential MFA Programs, Part 2
Art Collectors of Our Time: A Field Guide
Zöe and Joel Dictrow on a Life of Chasing Art
How to Talk About Contemporary Art, Part II
How the Düsseldorf School Remade Photography
Artists Who Rock: 8 Artist-Led Bands That Matter
Victoria Siddall on Her Plans for Frieze
The Extraordinary Legacy of Anthony D’Offay
Alt History: 8 Groundbreaking Works From the '90s
Art and Eric Garner, & More
Photorealism: Art or Craft? Richard Estes at MAD
6 Artworks to Invest in This April
Morgan Falconer's 7 Favorite Works on Artspace
Alain Servais on the Venice Biennale as Art Fair
Jackie Saccoccio Wins the Artadia NADA Award
Alain Servais on Art-Market Insider Trading
10 of the Best Artworks at Art Basel 2015
Tour Collector Sue Stoffel's Upper West Side Home
How to Pronounce Artists' Names, Vol. 5
15 Shows to See During Frieze London
10 of the Best Artworks at Art Basel Miami 2015
How Rachel Harrison Took on Charles Darwin
The Museum "Non-Finito": Inside the Met Breuer
10 of the Best Artworks at Art Cologne 2016
Steal vs Splurge: Collect the Big Auction Stars
Tiffany Zabludowicz on Work in Progress's Finale
Marlene Dumas on Why Artists Should Be Ambiguous
Can You Really Buy a Richter for $5,000?
Hans Ulrich Obrist on Why Painting Is Urgent Now
Here's How 10 Masterpieces Got Sold at Christie's
Isa Genzken on Finding Her Place in Art History
Wilhelm Sasnal on How Painters Can Fight Fascism
7 Coppenhagen Artists You Need to Know
Chuck Close in Conversation with Vija Celmins
Eleven Art Books to Add to Your Summer Reading List
12 Affordable Artworks by Artists in the May Auctions


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