Mario Russo
Mario Russo was a Neapolitan artist who moved to Rome, Trastevere, in 1950. During these years Russo began to exihibit in Italy and abroad. In 1979 he was invited by the Italian Institute of Culture of Toronto to exhibit his works at Sudbury University. In 1985 he devoted himself to his studies and construction of major works inspired by the world of cinema and the Fellinian characters. In 1986 he performs a series designs on the world of Greek and Roman sculpture of the museum in Naples: the following year is present in Washington with an exhibition dedicated to Federico Fellini.
In 1989 in Porto Cervo, Russo exhibited a series of paintings dedicated to the beloved Sardinia. In 1991 he performs a series of paintings on the Gulf war and the plight of the Kurds, and in the same year is the study of a composition consisting of a group of figures in a garden. This is a positive sign of the evolution of his creative language that wants to be the realization of a vision of the world of flowers compared with elements of classical art. In 1992 there was a retrospective exhibition at the Museum of Rome, and …
Mario Russo was a Neapolitan artist who moved to Rome, Trastevere, in 1950. During these years Russo began to exihibit in Italy and abroad. In 1979 he was invited by the Italian Institute of Culture of Toronto to exhibit his works at Sudbury University. In 1985 he devoted himself to his studies and construction of major works inspired by the world of cinema and the Fellinian characters. In 1986 he performs a series designs on the world of Greek and Roman sculpture of the museum in Naples: the following year is present in Washington with an exhibition dedicated to Federico Fellini.
In 1989 in Porto Cervo, Russo exhibited a series of paintings dedicated to the beloved Sardinia. In 1991 he performs a series of paintings on the Gulf war and the plight of the Kurds, and in the same year is the study of a composition consisting of a group of figures in a garden. This is a positive sign of the evolution of his creative language that wants to be the realization of a vision of the world of flowers compared with elements of classical art. In 1992 there was a retrospective exhibition at the Museum of Rome, and in 1995 he was invited to the Biennial of Art of humor in Tolentino for a personal exhibition.
Courtesy of Wallector Limited