About The Work
Erika Verzutti’s edition for Nottingham Contemporary, takes as it’s starting point one of the artist’s recent series of digital drawings, which are made using an iPad application that simulates the experience of painting (whether it be the viscosity of a medium or the pressure of a brushstroke).
For Poodle with Mask Peeing, 2021, the digital drawing is printed onto paper. To this, Verzutti integrates process and subtle illusion which playfully disrupts the surface. The impasto ‘brushstroke’ which frames the poodle, appears in relief, but is flat; a debossed line traces the outline of the drawing, resembling an awry etching plate-mark. Verzutti has then hand-painted each print with a splash of yellow watercolour. The combination of elements creates an interplay between flatness and relief, viscosity and liquid, physical and digital form.
Courtesy of Nottingham Contemporary
About Erika Verzutti
Digital drawing printed onto paper, with deboss and watercolour on Hahnemuhle Museum etching 350gsm
15.98 x 12.36 in
40.6 x 31.4 cm
This work is signed and numbered by the artist.
About The Work
Erika Verzutti’s edition for Nottingham Contemporary, takes as it’s starting point one of the artist’s recent series of digital drawings, which are made using an iPad application that simulates the experience of painting (whether it be the viscosity of a medium or the pressure of a brushstroke).
For Poodle with Mask Peeing, 2021, the digital drawing is printed onto paper. To this, Verzutti integrates process and subtle illusion which playfully disrupts the surface. The impasto ‘brushstroke’ which frames the poodle, appears in relief, but is flat; a debossed line traces the outline of the drawing, resembling an awry etching plate-mark. Verzutti has then hand-painted each print with a splash of yellow watercolour. The combination of elements creates an interplay between flatness and relief, viscosity and liquid, physical and digital form.
Courtesy of Nottingham Contemporary
About Erika Verzutti
Plus 4 AP's and 2 DR;s.
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