British Artist Jo Bradford is a master of the camera-less photograph process. Her work can be described as being ‘photographs of photography’ or pure photographs since they do not represent an external reality, referring only to themselves.
For over 20 years Jo has spent countless hours in her analogue darkroom in Devon UK, working endlessly with only light, coloured filters ...
British Artist Jo Bradford is a master of the camera-less photograph process. Her work can be described as being ‘photographs of photography’ or pure photographs since they do not represent an external reality, referring only to themselves.
For over 20 years Jo has spent countless hours in her analogue darkroom in Devon UK, working endlessly with only light, coloured filters, photosensitive paper and time itself to create her finely tuned studies of colour. Her meticulous recording of timings and colour combinations are extensively and intricately catalogued so that she can return to these as a starting point for her continued work known as luminograms, tracing light onto light sensitive paper.
Jo Bradford received her Master’s in Photography: Critical Practice from Falmouth University in 2004 and since then has exhibited regularly and widely. She has works in many public and private collections.
The work exhibited here at Photo London is a series of 3 collections entitled Hours, Minutes, Seconds - This being the correlation to how long the exposure to light was to create the colours and gradients in each collection.
Jo says of these works : “They are an exploration of time, but also of colour in terms of their transmittance and reflectance spectra and the overlap between them. Each set captures a unique moment in time, held in stasis on paper during my ongoing journey through colour, light and time. As one colour slips into the next it becomes less of itself and more of its neighbour. These transitions speak to me of loss, of renewed hope and of transformation. This is where the magic of the spectrum exists, and it has drawn me back time and time again, in a bid to capture these gradients and explore the sensations of the pure colour within.”
C-Type Lambda print from photogram on Fuji Pearl Paper
23.70 x 23.70 in
60.2 x 60.2 cm
Accompanied by signed certificate.
British Artist Jo Bradford is a master of the camera-less photograph process. Her work can be described as being ‘photographs of photography’ or pure photographs since they do not represent an external reality, referring only to themselves.
For over 20 years Jo has spent countless hours in her analogue darkroom in Devon UK, working endlessly with only light, coloured filters ...
British Artist Jo Bradford is a master of the camera-less photograph process. Her work can be described as being ‘photographs of photography’ or pure photographs since they do not represent an external reality, referring only to themselves.
For over 20 years Jo has spent countless hours in her analogue darkroom in Devon UK, working endlessly with only light, coloured filters, photosensitive paper and time itself to create her finely tuned studies of colour. Her meticulous recording of timings and colour combinations are extensively and intricately catalogued so that she can return to these as a starting point for her continued work known as luminograms, tracing light onto light sensitive paper.
Jo Bradford received her Master’s in Photography: Critical Practice from Falmouth University in 2004 and since then has exhibited regularly and widely. She has works in many public and private collections.
The work exhibited here at Photo London is a series of 3 collections entitled Hours, Minutes, Seconds - This being the correlation to how long the exposure to light was to create the colours and gradients in each collection.
Jo says of these works : “They are an exploration of time, but also of colour in terms of their transmittance and reflectance spectra and the overlap between them. Each set captures a unique moment in time, held in stasis on paper during my ongoing journey through colour, light and time. As one colour slips into the next it becomes less of itself and more of its neighbour. These transitions speak to me of loss, of renewed hope and of transformation. This is where the magic of the spectrum exists, and it has drawn me back time and time again, in a bid to capture these gradients and explore the sensations of the pure colour within.”
Price includes Diasec mounting of print in aluminium and acrylic. Only two copies remaining
advisor@artspace.com
Now, personalize your account so you can discover more art you'll love.
PERSONALIZE YOUR ACCOUNTa treasure trove of fine art from the world's most renowned artists, galleries, museums and cultural institutions. We offer exclusive works you can't find anywhere else.
through exclusive content featuring art news, collecting guides, and interviews with artists, dealers, collectors, curators and influencers.
authentic artworks from across the globe. Collecting with us means you're helping to sustain creative culture and supporting organizations that are making the world a better place.
with our art advisors for buying advice or to help you find the art that's perfect for you. We have the resources to find works that suit your needs.
Artspace offers you authentic, exclusive works from world-renowned artists, galleries, museums and cultural institutions. Collecting with us helps support creative culture while bringing you art news, interviews and access to global art resources.
COLLECT FROM 300+ GALLERIES & MUSEUMS
Tailor your art, news & information to your preferences.
View Preference CenterWelcome to the world's premier online marketplace for fine art.
Enjoy 10% on your next purchase by using coupon code WELCOME10 at checkout.
The world's premier online marketplace for fine art.
Enjoy 10% on your next purchase by using coupon code PHAIDON10 at checkout.
Jo Bradford
Eidos
Thank you for sharing with your friends.
Your preferences have been saved
to your account. Update them at any time
in your Preference Center
For first-time buyers and avid collectors alike, a personal Artspace Art Advisor can assist you in learning about, discovering and falling in love with an artwork.
Collector Services will contact you within two business days.
To place a bid, enter the maximum amount you are willing to pay for the work. Artspace will accept a bid at the next increment, and save any excess amount as a maximum bid. If you are outbid, we will continue bid on your behalf up to your maximum bid.
Bidding increments increase at the following intervals:
You will receive an email confirmation of your bid and when you are outbid.
If you are the winning bidder, you will be contacted 48 hours after of the close of the auction.
Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to spend for a work, though this does not necessarily mean you will pay that price. As the auction unfolds, we will increase your bid by increments to ensure you remain the highest bidder. If the winning amount is less than your maximum bid, you will pay the current increment. If your maximum bid no longer exceeds the current bid, you will receive an outbid notification email, and have the option to bid again.
In the case of multiple bidders placing the same maximum bid, the first person to place the maximum amount takes precedence as the highest bid until another bidder exceeds the maximum amount.
For Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price. For Artspace Benefit Auctions, Buyer's Premiums are not applied. If they are, this will be clearly noted. Purchases made from all auctions, including benefit auctions, are subject to sales tax.
Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price including commission, shipping, and taxes and duties when applicable. Promotion codes cannot be applied to auction works.
All our frames are manufactured in the USA, using eco-friendly & sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.
All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.
All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.
For images up to 30" x 40"
For sheet sizes larger than 30” x 40”