Kehinde Wiley

Jet Blue #11 and Left Behind comprise hand-cut inkjet prints, pigment-printed silk fragments, and hand-applied acrylic pochoir

Here, we’ve compiled individual accounts by models to reveal the actual people behind famous works of art.

From Renaissance masters to top-of-the-charts female rappers, these fourteen artists took the media by storm in 2017.

Who are the artists that Neil Patrick Harris and his husband David Burtka collect? Take a sneak peak inside the actor's tasteful collection.

Here are eight places where you’ll find lectures, workshops, and discussions to get you on track for your own, DIY MFA.

While getting ready for the Miami art fairs next week, here's a snapshot of where the emerging art market is at this highly unusual and uncertain moment in time.

Here’s what you need to know to cuddle up to the artist's Clarivel Centered, available for preorder exclusively on Artspace.

With the dust settled, what did we learn from the auctions? Some things will surprise you.

On the occasion of his new show of figurative paintings at Jack Shainman, which alludes to the Black Lives Matter movement and the current political climate, the artist shares some frustrations about the reception of his work.

He was what kind of artist? Here are the most interesting morsels that arose from Massimiliano Gioni's conversation with the former MOCA director and art dealer at the New York Public Library.

In a new feature, we serve up the chewiest recent articles from across the Web at a time when you might actually have the time to read them.

From the younger-than-Jesus granddaddy of the Post-Internet kids to one of today's fastest-rising painters, these are the artists everyone will be talking about this month.

We spoke to the Def Jam co-founder about the philosophy behind his art foundation, and his approach to collecting work by contemporary artists.

The former Deitch Projects dealer walks us through her much-discussed pop-up exhibition, providing insights into the artworks on view.

In his latest column, Walter Robinson considers a new show of work by black artists in light of the diversity of the Whitney Biennial, and the art world in general.