Mandy El-Sayegh’s (b. 1985, Malaysia, lives and works in London, United Kingdom) highly process-driven practice is rooted in an exploration of material and language. Executed in a wide range of media, El-Sayegh’s work investigates the formation and break-down of systems of order, be they bodily, linguistic, or political.

She is particularly interested in exploring the Part-Whole relationship– how something significant yet unpremeditated emerges and comes into being through various smaller, micro-interactions or repetitions. She physically demonstrates this by collaging disparate fragments, text, and found imagery, and layering them with materials like latex, rubber, and clay that mimic organic matter. Through simple, repetitive patterns, formal and narrative synthesis occurs that is not consciously intended or anticipated.

Solo exhibitions of El-Sayegh’s work have been organized at the Sursock Museum, Beirut, Lebanon (2019); Bétonsalon, Paris, France (2019); Chisenhale Gallery, London, United Kingdom (2019) amongst others. She has been featured in various group exhibitions including Searching the Sky for Rain, Sculpture Center, Long Island City, NY (2019); Boundary Work, Sharjah Biennial 13: Tamawuj, Sharjah, United Arab Emirates (2017); Room Services (with Oscar Murillo and Yutaka Sone), New York Art Book Fair at MoMA PS1, New York, NY (2016) amongst others. El-Sayegh’s work is in public and private collections, including Collection Nicoletta Fiorucci Russo, London; and Start Museum, Shanghai, China. In 2017 El-Sayegh was shortlisted for the Max Mara Art Prize for Women in collaboration with the Whitechapel Gallery, London and was invited to participate in the Chisenhale Gallery Commissions Programme 2017–19, supported by the LUMA Foundation.