About The Work
This work by British-born Sarah Hardacre is from a series of paper collages, hand- pulled screen prints and works on canvas all revealing images of Modernist architectural skylines taken from the Salford Local History Archive together with images of women from second-hand gentlemen’s magazines. While these works can be read with a feminist critique—the sensuous female body overlaying the phallic-like uprising of modern architecture—Hardacre’s practice is largely a “preoccupation with Modernism as a legacy of the welfare state and how concrete and class came to be connected.”
Courtesy of the Artist and Paul Stolper
About Sarah Hardacre
3 color hand pulled photo silkscreen pint on Somerset Tub Sized Satin 410gsm
27.56 x 27.56 in
70.0 x 70.0 cm
This work is signed, titled, and numbered by the artist.
About The Work
This work by British-born Sarah Hardacre is from a series of paper collages, hand- pulled screen prints and works on canvas all revealing images of Modernist architectural skylines taken from the Salford Local History Archive together with images of women from second-hand gentlemen’s magazines. While these works can be read with a feminist critique—the sensuous female body overlaying the phallic-like uprising of modern architecture—Hardacre’s practice is largely a “preoccupation with Modernism as a legacy of the welfare state and how concrete and class came to be connected.”
Courtesy of the Artist and Paul Stolper
About Sarah Hardacre
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