Interviews & Features | Magazine

Damien Hirst, Pardon, 2012

James Welling, H1, 2006

Josh Smith,LARGE IMAGE J.S. (Untitled, 2006), 2012

Sol LeWitt, Two Centimeter Wavy Bands In Colors, 1996

Coke Wisdom O'Neal, The Gospel of Wealth, 2013

Alex Katz, Coleman Pond II, 2007

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4 of 4

Damien Hirst, Pardon, 2012

James Welling, H1, 2006

Josh Smith,LARGE IMAGE J.S. (Untitled, 2006), 2012

Sol LeWitt, Two Centimeter Wavy Bands In Colors, 1996

Coke Wisdom O'Neal, The Gospel of Wealth, 2013

Alex Katz, Coleman Pond II, 2007

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Bid Increments

Bidding increments increase at the following intervals:

Below $400: $50
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Between $700 and $1,499: $200
Between $1,500 and $2,499: $300
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Between $5,000 and $9,999: $1,000
Between $10,000 and $19,999: $2,000
Between $20,000 and $29,999: $3,000
Between $30,000 and $49,999: $4,000
Between $50,000 and $99,999: $5,000
Above $100,000: $10,000

You will receive an email confirmation of your bid and when you are outbid.

If you are the winning bidder, you will be contacted 48 hours after of the close of the auction.

Maximum Bidding

Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to spend for a work, though this does not necessarily mean you will pay that price. As the auction unfolds, we will increase your bid by increments to ensure you remain the highest bidder. If the winning amount is less than your maximum bid, you will pay the current increment. If your maximum bid no longer exceeds the current bid, you will receive an outbid notification email, and have the option to bid again.

In the case of multiple bidders placing the same maximum bid, the first person to place the maximum amount takes precedence as the highest bid until another bidder exceeds the maximum amount.

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Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price including commission, shipping, and taxes and duties when applicable. Promotion codes cannot be applied to auction works.

* Price listed does not include buyer's premium (if applicable), sales tax, shipping, or handling fees.

The Phaidon Folio

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The Phaidon Folio: In This 1963 Interview, Roy Lichtenstein "Doubts" Pop Art Will Have a Lasting Influence

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The Phaidon Folio: Jenny Holzer Describes the First Artworks She Made as a Young Artist—And They're Not How You'd Imagine

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The Phaidon Folio: Under the Influence: Robert Ryman and His Obsession with Mark Rothko's Painting

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The Phaidon Folio: "I Don’t Need an Interview to Clarify My Thoughts": An Interview with Louise Bourgeois

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The Phaidon Folio: How to Make Useful Art as a "Proposal for Alternative Living": Nicolas Bourriard Interviews Lucy Orta

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The Phaidon Folio: Anti-Authoritarian Street Artist Chris Johanson on Finding Peace and Positivity in Painting

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The Phaidon Folio: "Iceland Could Have Been Anywhere": Roni Horn on How to Be Present Amidst Shifting Landscapes

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The Phaidon Folio: "I Like Faces More Than I Like Artworks": Maurizio Cattelan on Not Being A Real Artist

By: Artspace Editors

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The Phaidon Folio: Behind the Scenes and Between the Lines: On Making a Monograph with Kerry James Marshall

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