Since the beginning of the 1990’s the work of Pierre Ardouvin has developed as an elliptical screenplay of our disillusions. His poetry, often linked to popular culture draws upon his ‘deranged’ relationship to language and to the world. Ardouvin’s work has been shown at the Palais de Tokyo, Paris, the Musée d’Art Moderne de la Ville de Paris, the Fondation Jumex, Mexico, the Mori Art Museum, Tokyo, the NMCA, Seoul and are represented in numerous public and private collections in France and overseas. A monographic catalogue Eschatologic Park was published by Les presses du Réel in 2010.
Courtesy of Praz-Delavallade