Tammy Nguyen
Tammy Nguyen (b. 1984, San Francisco, CA, lives and works in Easton, CT) creates paintings, drawings, artist books, prints, and zines that explore the intersections between geopolitics, ecology, and lesser-known histories. A story teller, Nguyen’s multidisciplinary practice takes two forms—her more traditional fine arts practice, which encompasses her lush, dense paintings, as well as her prints, drawings, and unique artist books, and her publishing practice, embodied through her imprint, Passenger Pigeon Press, which creates and distributes Martha’s Quarterly, a subscription of artist books and interdisciplinary collaborations. Across both domains Nguyen’s work aims to unsettle, and the tension between the artist’s elegant forms and harmonious aesthetics often belies the nature of her content. The confusion this dissonance creates becomes generative, opening space for reevaluation, radical thinking, and the dislodging of complacency.
At its core, Nguyen’s, collaborative, research-based practice is propositional, exploring ideas and conjectures for ways of looking at the past, examining the present, and imagining possible futures. Across her work, Nguyen addresses the question of how one reads, both visually and linguistically, and she considers the idea of multiple narratives being told simultaneously, held together by the edges of her compositions or spines of her books.
Nguyen was born and …
Tammy Nguyen (b. 1984, San Francisco, CA, lives and works in Easton, CT) creates paintings, drawings, artist books, prints, and zines that explore the intersections between geopolitics, ecology, and lesser-known histories. A story teller, Nguyen’s multidisciplinary practice takes two forms—her more traditional fine arts practice, which encompasses her lush, dense paintings, as well as her prints, drawings, and unique artist books, and her publishing practice, embodied through her imprint, Passenger Pigeon Press, which creates and distributes Martha’s Quarterly, a subscription of artist books and interdisciplinary collaborations. Across both domains Nguyen’s work aims to unsettle, and the tension between the artist’s elegant forms and harmonious aesthetics often belies the nature of her content. The confusion this dissonance creates becomes generative, opening space for reevaluation, radical thinking, and the dislodging of complacency.
At its core, Nguyen’s, collaborative, research-based practice is propositional, exploring ideas and conjectures for ways of looking at the past, examining the present, and imagining possible futures. Across her work, Nguyen addresses the question of how one reads, both visually and linguistically, and she considers the idea of multiple narratives being told simultaneously, held together by the edges of her compositions or spines of her books.
Nguyen was born and raised in San Francisco, and received a B.F.A. from Cooper Union in 2007, and an M.F.A. from Yale in 2013. Select recent solo exhibitions of Nguyen’s work have been organized by the Institute of Contemporary Art, Boston, MA (2023); Lehmann Maupin, Seoul, South Korea (2023); Brooklyn Public Library, Brooklyn, NY (2022); Nichido Contemporary Art, Tokyo, Japan (2022); François Ghebaly, Los Angeles, CA (2022); Tropical Futures Institute, SEA Focus, Singapore (2022); Smack Mellon, Brooklyn, NY (2021); Lightwell Gallery, University of Oklahoma, Norman, OK (2019); Anderson Gallery, Virginia Commonwealth University, Richmond, VA (2019); Mariboe Gallery, Peddie School, Hightstown, NJ (2018); The Joan Flasch Artists’ Book Collection, The School of the Art Institute of Chicago, Chicago, IL (2017); and Ground Floor Gallery, Brooklyn, NY (2017), among others. Nguyen has been included in numerous group exhibitions, including Still Present!, 12th Berlin Biennale for Contemporary Art, Berlin, Germany (2022); Past/Present/Future: Expanding Indigenous American, Latinx, Hispanic American, Asian American, and Pacific Islander Perspectives in Thomas J. Watson Library, Thomas J. Watson Library, Metropolitan Museum of Art, New York, NY (2022); Greater New York 2021, MoMA PS1, Long Island City, NY (2021); Nha, The Factory Contemporary Arts Centre, Ho Chi Minh City, Vietnam (2021); Face of the Future, The Rubin Museum, New York, NY (2018); Bronx Calling: The Third AIM Biennial, The Bronx Museum of the Arts, Bronx, NY (2015); and DRAW: Mapping Madness, Inside-Out Museum, Beijing, China (2014). Nguyen’s artist books are in many notable public collections, including Beinecke Rare Book & Manuscript Library, Yale University, New Haven, CT; The Center for Book Arts, New York, NY; Clark Art Institute Library, Williamstown, MA; Joan Flasch Artists' Book Collection, School of the Art Institute of Chicago, Chicago, IL; Mayer Library, Dallas Museum of Art, Dallas, TX; The Museum of Modern Art Library, New York, NY; New York Public Library, New York, NY; Philadelphia Museum of Art Library, Philadelphia, PA; Thomas J. Watson Library, Metropolitan Museum of Art, New York, NY; Wesleyan University Library, Middletown, CT; and the Whitney Museum of American Art Library, New York, NY.
In 2023, Nguyen was named as a Guggenheim Fellow; she has received numerous other honors and distinctions including The Herb Alpert Award in the Arts, California, LA (2024); NYSCA/NYFA Artist Fellowship in Painting, New York, NY (2021); Scholarship for Advanced Studies in Book Arts, The Center for Book Arts, New York, NY (2014).
Courtesy of Lehmann Maupin
