About The Work
Two slabs of chicken breast are the subjects of Roger White’s Cutting Board, which depicts the meat in a pre-preparation state. Like raw material, the chicken breasts possess a sense of eerie possibility, which White has tapped even further, using darkened shadows in this color aquatint. During this first collaboration with Wingate Studio, White acheived these qualities with his subtle use of soft ground line etching and spit bite aquatint.
Color etching and aquatint
9.50 x 11.50 in
24.1 x 29.2 cm
This work is signed, dated, and numbered by the artist on recto under platemark.
About The Work
Two slabs of chicken breast are the subjects of Roger White’s Cutting Board, which depicts the meat in a pre-preparation state. Like raw material, the chicken breasts possess a sense of eerie possibility, which White has tapped even further, using darkened shadows in this color aquatint. During this first collaboration with Wingate Studio, White acheived these qualities with his subtle use of soft ground line etching and spit bite aquatint.
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