Since the early eighties Joep van Lieshout produces objects in mainly bright colored polyester, the material that would become his trademark in subsequent years. In 1995 he founded Atelier Van Lieshout (AVL), undermining the myth of the individual artistic genius. Atelier Van Lieshout has attained international recognition for objects that balance on the boundary between art, architecture and design. These works of art are practical, uncomplicated and substantial. Recurring themes in the work of AVL are autarky, power, politics and the more classical themes of life and death.
One of the most known projects is AVL-Ville 2001, the cultural freestate in the harbor of Rotterdam. Although only existing for less than a year of this “new city” a lot of visitors, professional or recreational, were inspired. After that Atelier Van Lieshout realized a number of large autonomic art projects like the large scaffolding installation Sportopia (2002), the large biogas installation Technocrat (2003-2004), and the dystopian city SlaveCity (2005- 2009) and the large recycling installation Cradle to Cradle (2009-2010).
Courtesy of Galeria OMR
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