Molly Zuckerman-Hartung continues a deeply inquisitive exploration of painting as a primary practice, investigating its material raptures, intellectual speed-bumps, and conceptual limits. Zuckerman-Hartung, who was raised in Olympia, Washington, and now lives and teaches in Chicago, simultaneously has an adoring relationship with paint—its gooey, viscous, repulsive, sexy physicality—and is also instinctively skeptical of its fetishistic power. Working abstractly, in relatively small scale, she reaches into a deep trick-bag, pouring, spraying, incising, collaging, assemblaging, linking, amputating, and otherwise thoroughly working and reworking her canvases. An earlier interest in modernist geometry has been subsumed in a much wider array of effects, blasting open cubist facets and placing them in an explosive array of textures, colors, and even images.
Courtesy of Corbett vs. Dempsey