About The Work
Cameraless photography with the use of expired polaroid film. The project is composed of more than 50 photos. Each image is the result of a scanned, digitally post-produced polaroid frame and is printed just as one single, non-reproducible piece.
The project is composed of more than 50 photos. Each image is the result of a scanned, digitally post-produced polaroid frame and is printed just as one single, non-reproducible piece. The project “Polaroid blooming”, comprehending a body of work of more than 50 images, is born from the necessity to abandon oneself to less codified expressive channels, during the quest for additional creative freedom.
By adopting typical techniques of abstract painting to instant photography (specifically a re-elaboration of grattage skills by scrapping emulsion on polaroid support) and by working with analog and digital means, I intended to realize images that allow, both during the creative process and the act of fruition, to let oneself go to the unconscious and potentially liberating automatisms.
Courtesy of Daile Galerie
Fine art Giclée print on Smooth High White Cotton 315gsm paper from Innova. Fixed on aluminum support, no framing.
39.37 x 40.94 in
100.0 x 104.0 cm
This work comes with a Blockchain registered Certificate of Authenticity.
About The Work
Cameraless photography with the use of expired polaroid film. The project is composed of more than 50 photos. Each image is the result of a scanned, digitally post-produced polaroid frame and is printed just as one single, non-reproducible piece.
The project is composed of more than 50 photos. Each image is the result of a scanned, digitally post-produced polaroid frame and is printed just as one single, non-reproducible piece. The project “Polaroid blooming”, comprehending a body of work of more than 50 images, is born from the necessity to abandon oneself to less codified expressive channels, during the quest for additional creative freedom.
By adopting typical techniques of abstract painting to instant photography (specifically a re-elaboration of grattage skills by scrapping emulsion on polaroid support) and by working with analog and digital means, I intended to realize images that allow, both during the creative process and the act of fruition, to let oneself go to the unconscious and potentially liberating automatisms.
Courtesy of Daile Galerie
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