Mr. approaches the visual language of anime and manga as a means of examining Japanese culture, fusing high and low forms of contemporary expression. Like his fellow Superflat artists, such as Takashi Murakami, Mr. utilizes otaku, the "cute" Japanese subculture that is marked by an obsession with adolescence, manga, anime, and video games. Alongside his interest in otaku is an ...
Mr. approaches the visual language of anime and manga as a means of examining Japanese culture, fusing high and low forms of contemporary expression. Like his fellow Superflat artists, such as Takashi Murakami, Mr. utilizes otaku, the "cute" Japanese subculture that is marked by an obsession with adolescence, manga, anime, and video games. Alongside his interest in otaku is an engagement with the 1960s Italian art movement, Arte Povera. Inspired by these artists’ use of unconventional materials and purposeful amateurism, Mr.’s earliest magna-style paintings and drawings were on store receipts, takeout menus and other scraps of transactional detritus.
Prior to 2010, Mr. often incorporated into his work the hypersexualized portrayal of young women prevalent in otaku. Known in Japan as lolicon, a portmanteau of “Lolita Complex,” this word has come to refer to the otaku preference for graphic anime images of young girls. However, in the years since the 2011 earthquake, tsunami, and nuclear reactor meltdown in Tohoku, Japan, Mr. has paired the cute characters, bright colors, and clean finishes characteristic of his work with a gritty and abstract painting style reminiscent of his early Arte Povera-inspired work, through which he explores themes of destruction. In his exhibition with Lehmann Maupin in 2012 and at the Seattle Art Museum in 2015, Mr. presented a large-scale, immersive installation of garbage and everyday objects from Japanese life, standing as a reminder of the debris that blanketed Tohoku in the aftermath of the 2011 disaster. Viewers were invited to physically interact with the work, getting a glimpse into the psychological state of Japan while remaining alien to the experience. Since then, Mr. has extended this sentiment into his paintings, trampling, tearing and burning his canvases to give his surfaces a distressed, textured quality, often at odds with the innocence of the bright-eyed cartoon figures he paints on top. In what meta-commentary on the Orientalist lens through which western viewers typically receive his work, Mr.'s 2018 solo show with Perrotin was titled, "People misunderstand me and the contents of my paintings. They just think they are nostalgic, cute, and look like Japanese anime. That may be true, but really, I paint daily in order to escape the devil that haunts my soul. The said devil also resides in my blood, and I cannot escape from it no matter how I wish. So I paint in resignation."
Mr. graduated from the Department of Fine Arts, Sokei Art School in Tokyo in 1996. Solo exhibitions of his work have been organized at the Seattle Art Museum in Washington and the Musée d’Art Contemporain de Lyon in France. Select group exhibitions featuring his work include the Animamix Biennale 2015-2016 at the Daegu Art Museum in South Korea (2015-16), "Kyoto-Tokyo: From Samurais to Mangas" at the Grimaldi Forum in Monaco (2010), and "Animate" at the Fukuoka Asian Art Museum in Japan (2009). Mr.'s work is in numerous international public and private collections, including the Philadelphia Museum of Art, the Seattle Art Museum, and the Daegu Art Museum in South Korea.
Courtesy of Lehmann Maupin
Mr. approaches the visual language of anime and manga as a means of examining Japanese culture, fusing high and low forms of contemporary expression. Like his fellow Superflat artists, such as Takashi Murakami, Mr. utilizes otaku, the "cute" Japanese subculture that is marked by an obsession with adolescence, manga, anime, and video games. Alongside his interest in otaku is an ...
Mr. approaches the visual language of anime and manga as a means of examining Japanese culture, fusing high and low forms of contemporary expression. Like his fellow Superflat artists, such as Takashi Murakami, Mr. utilizes otaku, the "cute" Japanese subculture that is marked by an obsession with adolescence, manga, anime, and video games. Alongside his interest in otaku is an engagement with the 1960s Italian art movement, Arte Povera. Inspired by these artists’ use of unconventional materials and purposeful amateurism, Mr.’s earliest magna-style paintings and drawings were on store receipts, takeout menus and other scraps of transactional detritus.
Prior to 2010, Mr. often incorporated into his work the hypersexualized portrayal of young women prevalent in otaku. Known in Japan as lolicon, a portmanteau of “Lolita Complex,” this word has come to refer to the otaku preference for graphic anime images of young girls. However, in the years since the 2011 earthquake, tsunami, and nuclear reactor meltdown in Tohoku, Japan, Mr. has paired the cute characters, bright colors, and clean finishes characteristic of his work with a gritty and abstract painting style reminiscent of his early Arte Povera-inspired work, through which he explores themes of destruction. In his exhibition with Lehmann Maupin in 2012 and at the Seattle Art Museum in 2015, Mr. presented a large-scale, immersive installation of garbage and everyday objects from Japanese life, standing as a reminder of the debris that blanketed Tohoku in the aftermath of the 2011 disaster. Viewers were invited to physically interact with the work, getting a glimpse into the psychological state of Japan while remaining alien to the experience. Since then, Mr. has extended this sentiment into his paintings, trampling, tearing and burning his canvases to give his surfaces a distressed, textured quality, often at odds with the innocence of the bright-eyed cartoon figures he paints on top. In what meta-commentary on the Orientalist lens through which western viewers typically receive his work, Mr.'s 2018 solo show with Perrotin was titled, "People misunderstand me and the contents of my paintings. They just think they are nostalgic, cute, and look like Japanese anime. That may be true, but really, I paint daily in order to escape the devil that haunts my soul. The said devil also resides in my blood, and I cannot escape from it no matter how I wish. So I paint in resignation."
Mr. graduated from the Department of Fine Arts, Sokei Art School in Tokyo in 1996. Solo exhibitions of his work have been organized at the Seattle Art Museum in Washington and the Musée d’Art Contemporain de Lyon in France. Select group exhibitions featuring his work include the Animamix Biennale 2015-2016 at the Daegu Art Museum in South Korea (2015-16), "Kyoto-Tokyo: From Samurais to Mangas" at the Grimaldi Forum in Monaco (2010), and "Animate" at the Fukuoka Asian Art Museum in Japan (2009). Mr.'s work is in numerous international public and private collections, including the Philadelphia Museum of Art, the Seattle Art Museum, and the Daegu Art Museum in South Korea.
Courtesy of Lehmann Maupin
Published by Perrotin and Lehmann Maupin
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You agree that the laws of the state of New York, excluding its conflicts-of-law rules, shall govern these Terms. Please note that your use of the Site may be subject to other local, state, national, and international laws. You expressly agree that exclusive jurisdiction for resolving any claim or dispute with Artspace relating in any way to your use of the Site resides in the state and federal courts of New York County, New York, and you further agree and expressly consent to the exercise of personal jurisdiction in the state and federal courts of New York County. In addition, you expressly waive any right to a jury trial in any legal proceeding against Artspace its parent, subsidiaries, divisions, or affiliates or their respective officers, directors, employees, agents, or successors under or related to these Terms. Any claim or cause of action you have with respect to use of the Site must be commenced within one (1) year after the claim arises.
By providing any personal information to the Site, all users, including without limitation users in the European Union, fully understand and unambiguously consent to the collection and processing of such information in the United States.
Any inquiries concerning these Terms should be directed to us at the address below.
The items purchased from our Site are shipped by a third-party carrier pursuant to a shipment contract. As a result, risk of loss and title for such items may pass to you upon our delivery to the carrier.
Artspace and its partners strive for complete accuracy in description and pricing of the products on the Site. However, due to the nature of the internet, occasional glitches, service interruptions or mistakes may cause inaccuracies to appear on the Site. Artspace has the right to void any purchases that display an inaccurate price. If the displayed price is higher than the actual price, you may be refunded the overcharge. If the displayed price is less than the actual price, Artspace will void the purchase and attempt to contact you via either phone or email to inquire if you would like the item for the correct price.
You acknowledge that temporary interruptions in the availability of the Site may occur from time to time as normal events. Also, we may decide to cease making available the Site or any portion of the Site at any time and for any reason. Under no circumstances will Artspace or its suppliers be held liable for any damages due to such interruptions or lack of availability.
Notices to you may be made via either email or regular mail. The Site may also provide notices of changes to the Terms or other matters by displaying notices or links to notices to you on the Site.
In the event of a dispute regarding the identity of the person submitting the entry, the entry will be deemed to be submitted by the person in whose name the e-mail account is registered. All drawings will be conducted under the supervision of Sponsor. The decisions of the Sponsors are final and binding in all matters relating to this contest. Sponsors reserve the right, at its sole discretion, to disqualify any individual it finds, in its sole discretion, to be tampering with the entry process or the operation of the Contest or the Website located at www.artspace.com; to be in violation of the Terms of Service of the Website; to be acting in violation of these Official Rules; to be acting in a disruptive manner, or with intent to annoy, abuse, threaten or harass any other person. If for any reason this Contest is not capable of running as planned due to infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other causes which, in the sole opinion of Sponsor, corrupt or affect the administration, security, fairness, integrity, or proper conduct of this Contests, Sponsor reserve the right to cancel, terminate, modify or suspend the Contest.
SPONSOR DOES NOT ASSUME RESPONSIBILITY FOR ANY ERROR, OMISSION, INTERRUPTION, DELETION, DEFECT, DELAY IN OPERATION OR TRANSMISSION, COMMUNICATIONS LINE FAILURE, THEFT OR DESTRUCTION OR UNAUTHORIZED ACCESS TO ITS WEBSITES. SPONSOR IS NOT RESPONSIBLE FOR ANY PROBLEMS OR TECHNICAL MALFUNCTION OF ANY TELEPHONE NETWORK OR TELEPHONE LINES, COMPUTER ON-LINE SYSTEMS, SERVERS, COMPUTER EQUIPMENT, SOFTWARE, FAILURE OF ANY E-MAIL OR ENTRY TO BE RECEIVED BY SPONSOR ON ACCOUNT OF TECHNICAL PROBLEMS, HUMAN ERROR OR TRAFFIC CONGESTION ON THE INTERNET OR AT ANY WEBSITE, OR ANY COMBINATION THEREOF. SPONSOR IS NOT RESPONSIBLE FOR ANY INCORRECT OR INACCURATE CAPTURE OF INFORMATION OR THE FAILURE TO CAPTURE SUCH INFORMATION, WHETHER CAUSED BY WEBSITE USERS, TAMPERING OR HACKING, OR BY ANY OF THE EQUIPMENT OR PROGRAMMING ASSOCIATED WITH OR UTILIZED IN THE CONTEST. SPONSOR IS NOT RESPONSIBLE FOR INJURY OR DAMAGE TO PARTICIPANTS’ OR TO ANY OTHER PERSON’S COMPUTER RELATED TO OR RESULTING FROM PARTICIPATING IN THIS CONTEST OR FROM OR USE OF THE WEBSITE. IN NO EVENT WILL SPONSOR, OR THEIR PARENT COMPANIES, DISTRIBUTORS, AFFILIATES, SUBSIDIARIES, OFFICERS, VENDORS, AND AGENCIES, EACH OF THEIR RESPECTIVE DIRECTORS, OFFICERS, EMPLOYEES, REPRESENTATIVES AND AGENTS, BE RESPONSIBLE OR LIABLE FOR ANY DAMAGES OR LOSSES OF ANY KIND, INCLUDING DIRECT, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES ARISING OUT OF YOUR PARTICIPATION IN THIS CONTEST, ACCESS TO AND USE OF THE WEBSITE OR THE DOWNLOADING FROM AND/OR PRINTING MATERIAL DOWNLOADED FROM THE WEBSITE. WITHOUT LIMITING THE FOREGOING, EVERYTHING ON THE WEBSITE AND IN THIS CONTEST IS PROVIDED “AS IS” WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE OR NON-INFRINGEMENT. SOME JURISDICTIONS MAY NOT ALLOW THE LIMITATIONS OR EXCLUSION OF LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES OR EXCLUSION OF IMPLIED WARRANTIES SO SOME OF THE ABOVE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO YOU. CHECK YOUR LOCAL LAWS FOR ANY RESTRICTIONS OR LIMITATIONS REGARDING THESE LIMITATIONS OR EXCLUSIONS.
As a condition of participating in Contests, you agree that any and all disputes which cannot be resolved between the parties, claims and causes of action arising out of or connected with this Contest, or any prizes awarded, or the determination of the winner shall be resolved individually, without resort to any form of class action exclusively by arbitration pursuant to the commercial arbitration rules of the American Arbitration Association, then effective. Further, in any such dispute, under no circumstances will you be permitted to obtain awards for, and you hereby waive all rights to claim punitive, incidental or consequential damages, or any other damages, including attorneys’ fees, other than your actual out-of-pocket expenses (i.e., costs associated with entering this Contest), and you further waive all rights to have damages multiplied or increased. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or your rights and obligations or Sponsor’s rights and obligations in connection with this Contest, shall be governed by, and construed in accordance with, the laws of the State of New York, U.S.A., without giving effect to the conflict of laws rules thereof, and all proceedings shall take place in that State in the City and County of New York.
As a condition of participating in Contests, you agree that any and all disputes which cannot be resolved between the parties, claims and causes of action arising out of or connected with this Contest, or any prizes awarded, or the determination of the winner shall be resolved individually, without resort to any form of class action exclusively by arbitration pursuant to the commercial arbitration rules of the American Arbitration Association, then effective. Further, in any such dispute, under no circumstances will you be permitted to obtain awards for, and you hereby waive all rights to claim punitive, incidental or consequential damages, or any other damages, including attorneys’ fees, other than your actual out-of-pocket expenses (i.e., costs associated with entering this Contest), and you further waive all rights to have damages multiplied or increased. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or your rights and obligations or Sponsor’s rights and obligations in connection with this Contest, shall be governed by, and construed in accordance with, the laws of the State of New York, U.S.A., without giving effect to the conflict of laws rules thereof, and all proceedings shall take place in that State in the City and County of New York.
As a condition of participating in Contests, you agree that any and all disputes which cannot be resolved between the parties, claims and causes of action arising out of or connected with this Contest, or any prizes awarded, or the determination of the winner shall be resolved individually, without resort to any form of class action exclusively by arbitration pursuant to the commercial arbitration rules of the American Arbitration Association, then effective. Further, in any such dispute, under no circumstances will you be permitted to obtain awards for, and you hereby waive all rights to claim punitive, incidental or consequential damages, or any other damages, including attorneys’ fees, other than your actual out-of-pocket expenses (i.e., costs associated with entering this Contest), and you further waive all rights to have damages multiplied or increased. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or your rights and obligations or Sponsor’s rights and obligations in connection with this Contest, shall be governed by, and construed in accordance with, the laws of the State of New York, U.S.A., without giving effect to the conflict of laws rules thereof, and all proceedings shall take place in that State in the City and County of New York. In the event of a dispute as to the identity of the winner based on an e-mail address, the winning entry will be declared made by the authorized account holder of the e-mail address submitted at time of entry. “Authorized account holder is defined as the natural person who is assigned to an e-mail address by an Internet access provider, on-line service provider or other organization (e.g., business, educational, institution, etc.) that is responsible for assigning e-mail addresses for the domain associated with the submitted e-mail address
To contact us with any questions or concerns in connection with this Agreement or the Site, or to provide any notice under this Agreement to us please go to Contact Us or write to us at:
Artspace LLC
65 Bleecker St. 8th Floor
New York, NY, 10012
Email: service@artspace.com
Fax: 646-365-3350
The Terms constitute the entire agreement between you and Artspace and govern your use of the Site, superseding any prior agreements between you and Artspace. You also may be subject to additional terms and conditions that are applicable to certain parts of the Site.
You agree that no joint venture, partnership, employment, or agency relationship exists between Artspace and you as a result of this Agreement or your use of the Site.
Any claim or cause of action you may have with respect to Artspace or the Site must be commenced within one (1) year after the claim or cause of action arose.
Our failure to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision. If any provision of the Terms is found by a court of competent jurisdiction to be invalid, the parties nevertheless agree that the court should endeavor to give effect to the parties' intentions as reflected in the provision, and the other provisions of the Terms remain in full force and effect.
You may not assign the Terms or any of your rights or obligations under the Terms without our express written consent.
The Terms inure to the benefit of Artspace's successors, assigns and licensees. The section titles in the Terms are for convenience only and have no legal or contractual effect.
© Copyright 2011 by Artspace LLC All rights reserved.
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For first-time buyers and avid collectors alike, a personal Artspace Art Advisor can assist you in learning about, discovering and falling in love with an artwork.
Collector Services will contact you within two business days.
To place a bid, enter the maximum amount you are willing to pay for the work. Artspace will accept a bid at the next increment, and save any excess amount as a maximum bid. If you are outbid, we will continue bid on your behalf up to your maximum bid.
Bidding increments increase at the following intervals:
You will receive an email confirmation of your bid and when you are outbid.
If you are the winning bidder, you will be contacted 48 hours after of the close of the auction.
Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to spend for a work, though this does not necessarily mean you will pay that price. As the auction unfolds, we will increase your bid by increments to ensure you remain the highest bidder. If the winning amount is less than your maximum bid, you will pay the current increment. If your maximum bid no longer exceeds the current bid, you will receive an outbid notification email, and have the option to bid again.
In the case of multiple bidders placing the same maximum bid, the first person to place the maximum amount takes precedence as the highest bid until another bidder exceeds the maximum amount.
For Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price. For Artspace Benefit Auctions, Buyer's Premiums are not applied. If they are, this will be clearly noted. Purchases made from all auctions, including benefit auctions, are subject to sales tax.
Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price including commission, shipping, and taxes and duties when applicable. Promotion codes cannot be applied to auction works.
All our frames are manufactured in the USA, using eco-friendly & sustainably sourced engineered hardwood for durability and a uniform finish that is free of defects. Frames are available in Black or White Satin and Honey Pecan.
All prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. All mounting is fully reversible, without any potential damage to the art.
All of our frames come with picture quality .090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. It is now considered the industry standard for artists, museums and galleries throughout the world.
For images up to 30" x 40"
For sheet sizes larger than 30” x 40”
