Moral Hazard, 2009 - Darren Wardle
About the Work
About Moral Hazard
Proceeds from the sale of this work benefit the Brooklyn Artists Relief Fund in support of artists and artisans affected by Hurricane Sandy
Darren Wardle's cinematic landscapes depict furniture and other decorative elements with an almost obsessive finesse. The ...Read More
Darren Wardle's cinematic landscapes depict furniture and other decorative elements with an almost obsessive finesse. The ...Read More
Proceeds from the sale of this work benefit the Brooklyn Artists Relief Fund in support of artists and artisans affected by Hurricane Sandy
Darren Wardle's cinematic landscapes depict furniture and other decorative elements with an almost obsessive finesse. The artifice of the hyper-real environments he creates is heightened by Wardle's trademark use of synthetic colors and graffiti, which serves as a delirious counterpoint to the austerity of much Modernist architecture. The resulting interior and exterior spaces are almost schizophrenic, their components fractured like Cubist paintings, offering a shifting view of loneliness and failure that underlies contemporary society.Read Less
Darren Wardle's cinematic landscapes depict furniture and other decorative elements with an almost obsessive finesse. The artifice of the hyper-real environments he creates is heightened by Wardle's trademark use of synthetic colors and graffiti, which serves as a delirious counterpoint to the austerity of much Modernist architecture. The resulting interior and exterior spaces are almost schizophrenic, their components fractured like Cubist paintings, offering a shifting view of loneliness and failure that underlies contemporary society.Read Less
About the Artist
About Darren Wardle
Darren Wardle's work captures empty urban and domestic landscapes in super-saturated, Day-glo colors. Reminiscent of sets for a science fiction film, and the cold ...Read More
Darren Wardle's work captures empty urban and domestic landscapes in super-saturated, Day-glo colors. Reminiscent of sets for a science fiction film, and the cold perfection of architectural plans, Wardle's work is heavily influenced by the landscape of Los Angeles, his adopted city, much like Ed Ruscha before him. His depictions recall haunting, post-apocalyptic compositions that add an emotional element to the typically serene landscape genre. The recipient of Arts Victoria and Export and Touring grant for solo shows at Stephan Stoyanov Gallery, Wardle is working as an artist in residence at Point B Worklodge in Brooklyn.Read Less
Description
Print made with archival pigments on fine art rag paper with matte finish.Authentication
Includes Certificate of Authenticity.Dimensions
This print contains a border as dictated by the artist to allow for framing and the quoted dimensions are for the paper size and not the printed size of the image itself.Shipping
Unframed works ship in 7-10 business days. Framed works ship in 10-14 business days.ARTSPACE ADVISOR
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