Interviews & Features | Magazine

Damien Hirst, Pardon, 2012

James Welling, H1, 2006

Josh Smith,LARGE IMAGE J.S. (Untitled, 2006), 2012

Sol LeWitt, Two Centimeter Wavy Bands In Colors, 1996

Coke Wisdom O'Neal, The Gospel of Wealth, 2013

Alex Katz, Coleman Pond II, 2007

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4 of 4

Damien Hirst, Pardon, 2012

James Welling, H1, 2006

Josh Smith,LARGE IMAGE J.S. (Untitled, 2006), 2012

Sol LeWitt, Two Centimeter Wavy Bands In Colors, 1996

Coke Wisdom O'Neal, The Gospel of Wealth, 2013

Alex Katz, Coleman Pond II, 2007

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Bidding increments increase at the following intervals:

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Between $10,000 and $19,999: $2,000
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Above $100,000: $10,000

You will receive an email confirmation of your bid and when you are outbid.

If you are the winning bidder, you will be contacted 48 hours after of the close of the auction.

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Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to spend for a work, though this does not necessarily mean you will pay that price. As the auction unfolds, we will increase your bid by increments to ensure you remain the highest bidder. If the winning amount is less than your maximum bid, you will pay the current increment. If your maximum bid no longer exceeds the current bid, you will receive an outbid notification email, and have the option to bid again.

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Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price including commission, shipping, and taxes and duties when applicable. Promotion codes cannot be applied to auction works.

* Price listed does not include buyer's premium (if applicable), sales tax, shipping, or handling fees.

Q&A

Q&A: Alfonso Cuarón's 'Roma' Told From a Different Angle: Photographer Carlos Somonte on Working with the Director to Change Cinematic History

By: Loney Abrams

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Q&A: Artist Genevieve Belleveau on the Radical Politics of BDSM—And Using Art as a "Bait-and-Switch" Tactic for Consensual Sex Education

By: Loney Abrams

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Q&A: China's Underground Comic Scene Debuts at the Outsider Art Fair: Here the Curator Describes His Journey into the Clandestine Subculture

By: Loney Abrams

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Q&A: Chinese Artist Ai Weiwei Describes His 81 Days in Prison—And the Extreme Surveillance, Censorship, and "Soft Detention" He's Endured Since

By: Artspace Editors

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Q&A: "Racists Will Always Find Racist Ways to Be Racist": How Art Organization 'Paper Monuments' Is Creatively Replacing New Orleans' Confederate Monuments

By: Loney Abrams

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Q&A: "Art Has Always Been a Global Asset Class": Amy Cappellazzo on HBO’s Exposé About Art and Wealth

By: Colleen Hochberger

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Q&A: How to Get Away With Stealing Military-Grade Technology: An Interview With Survival Research Labs' Mark Pauline

By: Shannon Lee

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Q&A: I Want to Believe: The Met Breuer Uncovers the Deep Links Between Art and Conspiracy

By: Shannon Lee

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Q&A: Life with Lucian Freud: David Dawson on Being an Assistant & Model for the Emotionally Demanding Painter

By: Mat Smith

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Q&A: Nightlife Maven Ladyfag on Creating Platforms for Performing Artists—A.K.A. Parties

By: Artspace Editors

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Q&A: "Living in a Female Body Is Like 'Alien' Meets Jackson Pollock": Sara Magenheimer on Her Process—And Women's Intrinsic Understanding of Abstraction

By: Artspace Editors

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Q&A: “LIFE IS PAIN”: Petra Cortright on Live Tweeting World Cup Soccer

By: Charlie Markbreiter

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