Yinka Shonibare MBE

Born 1962
Hometown London, United Kingdom
Lives and Works London, United Kingdom
Education
Goldsmiths College, London, United Kingdom, 1991
Byam Shaw School of Art, London, United Kingdom, 1989

Yinka Shonibare MBE Gallery Art

James Cohan Gallery, New York, NY

Stephen Friedman, London, England

Museum of Modern Art, New York, NY

The Art Institute of Chicago, Chicago, IL

Museum of Contemporary Art, Chicago, IL

National Gallery of Canada, Ottawa, Canada

Tate Collection, London, United Kingdom

Moderna Museet, Stockholm, Sweden

The Israel Museum, Jerusalem, Israel

National Gallery of Modern Art in Rome, Rome, Italy

San Francisco Museum of Modern Art, San Francisco, CA

National Museum of African Art, Smithsonian Institute, Washington DC

Seattle Art Museum, Seattle, WA

Yinka Shonibare MBE (RA) was born in London and moved to Lagos, Nigeria at the age of three. He returned to London to study Fine Art first at Byam Shaw College of Art (now Central Saint Martins College of Art and Design) and then at Goldsmiths College, where he received his MFA, graduating as part of the "Young British Artists" generation. He currently lives and works in the East End of London.


Over the past decade, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalization. Shonibare’s work explores these issues, alongside those of race and class, through the media of painting, sculpture, photography and, more recently, film and performance. Using this wide range of media, Shonibare examines in particular the construction of identity and tangled interrelationship between Africa and Europe and their respective economic and political histories. Mixing Western art history and literature, he asks what constitutes our collective contemporary identity today. Having described himself as a "post-colonial" hybrid, Shonibare questions the meaning of cultural and national definitions.


Shonibare was a Turner prize nominee in 2004 and awarded the decoration of Member of the “Most Excellent Order of the British Empire.” He has added this title to his professional name. In 2013 he was elected Royal Academician by the Royal Academy of Arts. He was notably commissioned by Okwui Enwezor at Documenta 10 in 2002 to create his most recognized work, "Gallantry and Criminal Conversation," which launched him on an international stage. He has exhibited at the Venice Biennial and internationally at leading museums worldwide. In September 2008, his major mid-career survey commenced at the MCA Sydney and toured to the Brooklyn Museum in June 2009 and to the Museum of African Art at the Smithsonian Institution in October 2009. In 2010, "Nelson's Ship in a Bottle" on the Fourth Plinth in Trafalgar Square became his first public art commission.


Courtesy of the artist.

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