Justin Lieberman

Justin Lieberman’s sculptures and installations do not stop at bad taste but are practically “indigestible,” as described by Nicolas Guagnini in a 2012 essay on the artist in BOMB. Lieberman’s anti-aesthetic defies systems of categorization, consumption, and apparent order, though the work teems with a tautology all its own. Forget about Hoffman’s ideas of push and pull, Lieberman’s work is more drop kick and head butt—anarchic and aggregate. 


Lieberman shows widely in Europe and the United States, and has been included in shows at the Tel Aviv Museum of Art and the American Folk Art Museum. He is represented by Galerie Rodolphe Janssen in Brussels, Belgium and by Franklin Parrasch Gallery in New York.