Enrico David - Untitled for Sale

arrow to next work titled: Pink casting wax sheet bite, fragment of a glass kiln, styrofoam corners for a picture frame and Hydrocal, unfired porcelain, Memory Foam and Aqua Resin, handmade lead tubing and marking chalk, Maple wedge and tack cloths covered in granite dust from a monument making shop in Queens, muslin, cotton and bb ́s, handmade lead tubing and conductive thread, pierced collectible plate from Boston

Barb Smith - Pink casting wax sheet bite, fragment of a glass kiln, styrofoam corners for a picture frame and Hydrocal, unfired porcelain, Memory Foam and Aqua Resin, handmade lead tubing and marking chalk, Maple wedge and tack cloths covered in granite dust from a monument making shop in Queens, muslin, cotton and bb ́s, handmade lead tubing and conductive thread, pierced collectible plate from Boston

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Enrico David

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Untitled, 2015

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About The Work

Enrico David’s work encompasses painting, sculpture, textiles and installation with the act of drawing being key to his exploration of form. Mining a space between figuration and abstraction, the artist consistently returns to the body as a point of departure, exploring the human figure as a metaphor for transformation. This edition is in keeping with the smaller sculptures the artist has been producing over the last two years. These stay close to the scale of the drawings on which they are based, pulling viewers in to their more intimately-scaled details.

Courtesy of Hepworth Wakefield

About Enrico David

“The starting point is always drawing, and I’m committed to representing the figure,” explains multidisciplinary artist Enrico David. His fantastical figures in various states of transience transition from paper to sculpture to painting to craft mediums such as the monumental embroidered portraits on sewn canvases for which he was first recognized in the 1990s. David appropriates elements from modernist design and contemporary culture in order to deal with issues of identity, queer politics, and complex emotional states. His human forms and fragmented body parts tow the line that separates representation from abstraction and the recognizable from the surreal. Faces emerge out of pod shapes, mummies crawl upside down, and vacuous faces dissolve into washes of brushed color. He describes his characters’ unsettling state as being, “on the brink of not being ready to be born.”

David’s work has been shown extensively at prestigious institutions such as the New Museum, UCLA Hammer Museum in Los Angeles, Museum für Gegenwartskunst in Basel, Seattle Art Museum, ICA London, Tate Britain, and Stedelijk Museum in Amsterdam, among others. He was a short-lister for the 2009 Turner Prize and a featured artist in “The Encyclopedic Palace,” curator Massimiliano Gioni’s critically acclaimed exhibition at the 2013 Venice Biennale.

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About The Work

Courtesy of Hepworth Wakefield

About Enrico David

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Damien Hirst, Pardon, 2012

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Josh Smith,LARGE IMAGE J.S. (Untitled, 2006), 2012

Sol LeWitt, Two Centimeter Wavy Bands In Colors, 1996

Coke Wisdom O'Neal, The Gospel of Wealth, 2013

Alex Katz, Coleman Pond II, 2007

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About Enrico David

Untitled

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