About The Work
This silkscreen print by Harland Miller titled Painting for Charles Addams (2012), is part of an ongoing series of work that deals with obituaries and the cult of personality. The subject of both this print and the painting it is based on (featured in Miller's 2012 exhibition The Next Life's On Me at White Cube Hoxton Square) Charles Addams, the macabre American cartoonist and notorious womanizer who was best known as the creator of the Addams family stories. Miller has used characteristic word play to subvert the classic image of a lovers’ embrace into something witty and ironic both in the Addams and Miller tradition.
Courtesy of White Cube.
About Harland Miller
From The Magazine
- Interviews & Features: Harland Miller: 'I've always loved high and low culture. This painting perfectly encapsulates both, more than any painting I've made.'
- Interviews & Features: Harland Miller Teams up With London's ICA for 'Letter Painting' Limited Edition Print
- Interviews & Features: Harland Miller on Art, Life & Everything In Between
- News & Events: The Paintings That Almost Killed Harland Miller
- Interviews & Features: Laughter and After: Harland Miller's Use of Humor—by Martin Herbert
Silkscreen on Somerset paper
53.75 x 37.50 in
136.5 x 95.2 cm
Signed and numbered by the artist.
About The Work
This silkscreen print by Harland Miller titled Painting for Charles Addams (2012), is part of an ongoing series of work that deals with obituaries and the cult of personality. The subject of both this print and the painting it is based on (featured in Miller's 2012 exhibition The Next Life's On Me at White Cube Hoxton Square) Charles Addams, the macabre American cartoonist and notorious womanizer who was best known as the creator of the Addams family stories. Miller has used characteristic word play to subvert the classic image of a lovers’ embrace into something witty and ironic both in the Addams and Miller tradition.
Courtesy of White Cube.
About Harland Miller
From The Magazine
- Interviews & Features: Harland Miller: 'I've always loved high and low culture. This painting perfectly encapsulates both, more than any painting I've made.'
- Interviews & Features: Harland Miller Teams up With London's ICA for 'Letter Painting' Limited Edition Print
- Interviews & Features: Harland Miller on Art, Life & Everything In Between
- News & Events: The Paintings That Almost Killed Harland Miller
- Interviews & Features: Laughter and After: Harland Miller's Use of Humor—by Martin Herbert
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