Untitled (54-6), 1973


Aquatint and etching with collage on C.M. Fabriano "Rosaspina" paper

39.00 x 27.75 in

99.1 x 70.5 cm

Edition of 90

This work is signed, dated and inscribed "A.P." in pencil, lower margin.

PRICE: $4,250  or as low as LEARN MORE

39.00 x 27.75 in

99.1 x 70.5 cm

Edition of 90


    About The Work

    Nevelson is renowned for her mysterious and complex artworks. She was an active printmaker, experimenting with different techniques and approaches while working with some of the best print-making studios in the United States and Italy.

    Many of the leading, ground-breaking American abstract artists experienced success in post-war Europe. Nevelson was notably well-embraced in Italy arguably because of parallels to Arte Povera in her work. She had an important and enduring connection to Italy, beginning with representing America at the Venice Biennale in 1962. Nevelson would then exhibit at the legendary Studio Marconi in Milan during the succeeding decades. This fruitful relationship led Nevelson to start working with Italian printmakers during the 1970s. 

    This impressive aquatint is a paradigm of both the era and Nevelson's later printmaking, notable for its use of metallic elements, color and collage. This work features unexpected shades of magenta, lime green, and rust, which punctuate her signature monochromatic black forms that sweep the surface of the page creating an intriguing architectural form.

    Courtesy of Caviar20

    About Louise Nevelson

    From The Magazine

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