In this abstract painting from artist Mary Simpson, a dark blotched pattern is laid over vibrant red, creating a visual tension between the background and foreground of the surface. Simpson says of her creative process, “While viewing a painting, I closely consider the way it changes—layers, color and light reveal moments beyond the initial surface, a two-dimensional image essentially becomes time-based.”
The work of New York based artist Mary Simpson is influenced by the mythological and psychological notion of allegory, in particular as it relates to painting as both a practice and concept. Inspired by historical symbolism and legend, she interweaves narrative with explorations of light, color and time—visually reinterpreting the “parody” of allegory. Simpson also applies this to her work …
The work of New York based artist Mary Simpson is influenced by the mythological and psychological notion of allegory, in particular as it relates to painting as both a practice and concept. Inspired by historical symbolism and legend, she interweaves narrative with explorations of light, color and time—visually reinterpreting the “parody” of allegory. Simpson also applies this to her work with moving images, and many of her films toe the line between direct reference and painterly expression. The artist says of her chosen mediums, “in film and painting I am continually asking: what are the significant and insignificant moments in an image? What does this tension reveal culturally as our relationship to still and moving images is rapidly shifting?”
Mary Simpson’s work has been shown at Bortolami, On Stellar Rays, Rachel Uffner Gallery and Simone Subal, all New York, David Petersen, Minneapolis, Almine Rech, Brussels, Hilary Crisp, London, Seattle Art Museum, Boise Art Museum, Iowa. Film Screenings, projects and lectures include the Artists Institute, New York, The Kitchen, New York, Henry Art Gallery, Seattle, CAM2, Madrid. She teaches at Cooper Union, Columbia University and George Washington University.
Painting
Oil on canvas
90.00 x 50.00 in
228.6 x 127.0 cm
This work is signed by the artist on verso.
In this abstract painting from artist Mary Simpson, a dark blotched pattern is laid over vibrant red, creating a visual tension between the background and foreground of the surface. Simpson says of her creative process, “While viewing a painting, I closely consider the way it changes—layers, color and light reveal moments beyond the initial surface, a two-dimensional image essentially becomes time-based.”
The work of New York based artist Mary Simpson is influenced by the mythological and psychological notion of allegory, in particular as it relates to painting as both a practice and concept. Inspired by historical symbolism and legend, she interweaves narrative with explorations of light, color and time—visually reinterpreting the “parody” of allegory. Simpson also applies this to her work …
The work of New York based artist Mary Simpson is influenced by the mythological and psychological notion of allegory, in particular as it relates to painting as both a practice and concept. Inspired by historical symbolism and legend, she interweaves narrative with explorations of light, color and time—visually reinterpreting the “parody” of allegory. Simpson also applies this to her work with moving images, and many of her films toe the line between direct reference and painterly expression. The artist says of her chosen mediums, “in film and painting I am continually asking: what are the significant and insignificant moments in an image? What does this tension reveal culturally as our relationship to still and moving images is rapidly shifting?”
Mary Simpson’s work has been shown at Bortolami, On Stellar Rays, Rachel Uffner Gallery and Simone Subal, all New York, David Petersen, Minneapolis, Almine Rech, Brussels, Hilary Crisp, London, Seattle Art Museum, Boise Art Museum, Iowa. Film Screenings, projects and lectures include the Artists Institute, New York, The Kitchen, New York, Henry Art Gallery, Seattle, CAM2, Madrid. She teaches at Cooper Union, Columbia University and George Washington University.
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