Robert Morris

Sculptor and painter Robert Morris pioneered many of the major artistic movements of the 1960s and 1970s. He is known for his role in defining the Minimalist movement in the mid-'60s after publishing an influential series of articles in New York and exhibiting his large conceptual, geometric sculptures that embodied many concepts of Minimalism.

In addition, Morris contributed to the development of performance art, land art, Process art, and installation art. His work in the 1970s was characterized by the use of ephemeral and experimental materials to create impermanent sculptures that challenged the physicality of the art object. His style changed in the 1980s when he returned to drawing and painting, integrating them with sculpture to produce dark, apocalyptic visions.

Although much of Morris's greatest work no longer physically exists due to its transient quality, it lives on as a contribution to the history of art in photographs and written documentation.

SHOWS

James Fuentes Gallery

New York
Aug 05 2016 - Sep 11 2016

Bad Faith

Articles

Art & Stonewall: “None of Us Are Free Unless We’re All Free”

The exhibition is on view this summer in New York City at both the Leslie-Lohman Museum and the New York University Grey Art Gallery.

Quiz: Match the Minimalist with the Right Cube

Match the cube (Minimalists love cubes) with the artist who made it.

Eleven Art Books to Add to Your Summer Reading List

From writers like Teju Cole, Sophie Calle, and László Krasznahorkai, here's what you need to read to catch up this summer.

Robert Rauschenberg's Innovations in Art

Advancing the fields of painting, photography, performance, and more, Rauschenberg's work is inextricable from the history of art as a whole.

7 Coppenhagen Artists You Need to Know

With the rise of new experimental spaces like Copenhagen Contemporary, an outburst of galleries in the meatpacking district, and brand new fairs like CHART and CODE, Copenhagen has become a thriving, international center for contemporary art.

3 Californian Sculptors You Need to Know

In this excerpt from Phaidon's Vitamin: 3D we look at three very different Californian artists who embody the states innovative and freethinking spirit.

What Was Post-Minimalism? A Primer

This brief essay from Phaidon's Art in Time shows us some of the key artists of this significant movement, whose conceptual as well as aesthetic strategies remain important to this day.

10 Artists to Watch This August

From rising stars like Elizabeth Jaeger to the crossover celebrity Tilda Swinton, here are the artists everyone will be buzzing about this month.

Land Art Road Trip, Part 2: Washington State

For the second installment of our site-specific journey across America, we're venturing to Pacific Northwest to see Robert Morris's Johnson Pit No. 30 and Herbert Bayer's Mill Creek Canyon Earthworks.

10 Artists to Watch This March

From a South Korean master of venetian blinds to one of the most influential (and mysterious) African-American artists of our time, here are the shows the art world is buzzing about this month.

6 Artworks to Invest in This August

From an absorbing work by a rising star to a significant piece by a major artist about to get the hero treatment at MoMA, these are works savvy collectors will be hard-pressed to resist.

The Philosophy of Jeff Koons in 20 Homilies

We had an audience with the world’s most expensive living artist during the opening of his survey at the Guggenheim Bilbao, and this is what he said.

The Revolution Was Televised: Art on the Tube

Karen Rosenberg surveys a new show at the Jewish Museum that revisits mid-century television's flirtation with modern and contemporary art.

The Intellectual Origins of Minimalism

To provide a primer on the philosophical and art historical considerations that gave rise to Minimalism, we looked back on the strategies of four archetypal artists associated with the aesthetic approach.

10 of Art History's Most Important Defunct Galleries

We surveyed a few galleries from throughout the past century that made revolutionary contributions to art, only to fade away.

Dan Graham on How to Use His Met "Pavilion"

The artist tells Artspace about his architectural-sculptural hybrids and explains why he's a Seth Rogen fan.

How Light & Space Art Lit Up the Avant-Garde

We explored the Sunshine State's answer to Minimalism's academic austerity in the 1960s, and how its innovative use of highly advanced materials anticipated today's cutting-edge art.

10 Exhibitions That Changed Contemporary Art

From the groundbreaking "Primary Structures" at the Jewish Museum (now being reinterpreted in a new show) to "WACK!" at L.A. MOCA in 2007, here's a survey of exhibitions that upended the way we look at art today—and how artists make it, too.

The Artful Words of Lawrence Weiner

We surveyed the various artistic approaches of the legendary conceptualist, who sculpts engrossing compositions out of language, philosophy, and linguistic structures.

6 Artworks to Invest in This February

From a retro-futuristic totem by a Fluxus great to an edgy photo by one of the most freewheeling of America's young lensmen, these are works to snap up.

A Squiggly, Neon-Lit Guide to Post-Minimalism

We surveyed the themes and approaches of one of the 20th century's most significant—and confounding—genres.

How the Art World Caught Archive Fever

With historical (and fictional) archives popping up everywhere in contemporary art, we look at four strategies artists use to employ the highly relevant—no, not dusty!—format.

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RELEASE

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LIMITATION OF LIABILITY

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Risk of Loss

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Purchasing

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Notices

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Contests

In the event of a dispute regarding the identity of the person submitting the entry, the entry will be deemed to be submitted by the person in whose name the e-mail account is registered. All drawings will be conducted under the supervision of Sponsor. The decisions of the Sponsors are final and binding in all matters relating to this contest. Sponsors reserve the right, at its sole discretion, to disqualify any individual it finds, in its sole discretion, to be tampering with the entry process or the operation of the Contest or the Website located at www.artspace.com; to be in violation of the Terms of Service of the Website; to be acting in violation of these Official Rules; to be acting in a disruptive manner, or with intent to annoy, abuse, threaten or harass any other person. If for any reason this Contest is not capable of running as planned due to infection by computer virus, bugs, tampering, unauthorized intervention, fraud, technical failures, or any other causes which, in the sole opinion of Sponsor, corrupt or affect the administration, security, fairness, integrity, or proper conduct of this Contests, Sponsor reserve the right to cancel, terminate, modify or suspend the Contest.

Limitations of Liability

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Disputes

As a condition of participating in Contests, you agree that any and all disputes which cannot be resolved between the parties, claims and causes of action arising out of or connected with this Contest, or any prizes awarded, or the determination of the winner shall be resolved individually, without resort to any form of class action exclusively by arbitration pursuant to the commercial arbitration rules of the American Arbitration Association, then effective. Further, in any such dispute, under no circumstances will you be permitted to obtain awards for, and you hereby waive all rights to claim punitive, incidental or consequential damages, or any other damages, including attorneys’ fees, other than your actual out-of-pocket expenses (i.e., costs associated with entering this Contest), and you further waive all rights to have damages multiplied or increased. All issues and questions concerning the construction, validity, interpretation and enforceability of these Official Rules, or your rights and obligations or Sponsor’s rights and obligations in connection with this Contest, shall be governed by, and construed in accordance with, the laws of the State of New York, U.S.A., without giving effect to the conflict of laws rules thereof, and all proceedings shall take place in that State in the City and County of New York.

Contacting Us

To contact us with any questions or concerns in connection with this Agreement or the Site, or to provide any notice under this Agreement to us please go to Contact Us or write to us at:

Artspace LLC
65 Bleecker St. 8th Floor
New York, NY, 10012
Email: service@artspace.com
Fax: 646-365-3350

General Information

The Terms constitute the entire agreement between you and Artspace and govern your use of the Site, superseding any prior agreements between you and Artspace. You also may be subject to additional terms and conditions that are applicable to certain parts of the Site.

You agree that no joint venture, partnership, employment, or agency relationship exists between Artspace and you as a result of this Agreement or your use of the Site.

Any claim or cause of action you may have with respect to Artspace or the Site must be commenced within one (1) year after the claim or cause of action arose.

Our failure to exercise or enforce any right or provision of the Terms shall not constitute a waiver of such right or provision. If any provision of the Terms is found by a court of competent jurisdiction to be invalid, the parties nevertheless agree that the court should endeavor to give effect to the parties' intentions as reflected in the provision, and the other provisions of the Terms remain in full force and effect.

You may not assign the Terms or any of your rights or obligations under the Terms without our express written consent.

The Terms inure to the benefit of Artspace's successors, assigns and licensees. The section titles in the Terms are for convenience only and have no legal or contractual effect.

How it Works

How bidding works

To place a bid, enter the maximum amount you are willing to pay for the work. Artspace will accept a bid at the next increment, and save any excess amount as a maximum bid. If you are outbid, we will continue bid on your behalf up to your maximum bid.

Bid Increments

Bidding increments increase at the following intervals:

Below $400: $50
Between $400 and $699: $100
Between $700 and $1,499: $200
Between $1,500 and $2,499: $300
Between $2,500 and $4,999: $500
Between $5,000 and $9,999: $1,000
Between $10,000 and $19,999: $2,000
Between $20,000 and $29,999: $3,000
Between $30,000 and $49,999: $4,000
Between $50,000 and $99,999: $5,000
Above $100,000: $10,000

You will receive an email confirmation of your bid and when you are outbid.

If you are the winning bidder, you will be contacted 48 hours after of the close of the auction.

Maximum Bidding

Every bid submitted is treated as a maximum bid. You should always bid the maximum you are willing to spend for a work, though this does not necessarily mean you will pay that price. As the auction unfolds, we will increase your bid by increments to ensure you remain the highest bidder. If the winning amount is less than your maximum bid, you will pay the current increment. If your maximum bid no longer exceeds the current bid, you will receive an outbid notification email, and have the option to bid again.

In the case of multiple bidders placing the same maximum bid, the first person to place the maximum amount takes precedence as the highest bid until another bidder exceeds the maximum amount.

Buyer's Premium & Additional Charges

For Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price. For Artspace Benefit Auctions, Buyer's Premiums are not applied. If they are, this will be clearly noted. Purchases made from all auctions, including benefit auctions, are subject to sales tax.

Check Out

Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price including commission, shipping, and taxes and duties when applicable. Promotion codes cannot be applied to auction works.

* Price listed does not include buyer's premium (if applicable), sales tax, shipping, or handling fees.

Works Available for Purchase

SHOWS

James Fuentes Gallery

New York Aug 05 2016 - Sep 11 2016

Articles

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New York
Aug 05 2016 - Sep 11 2016