About The Work
In her paintings and sculptures, Julia Dault often uses restrictions, rule sets, and the limitations of found materials and colors to generate compositions. In The Holograms, she has isolated six elements, which she playfully remixes across the four individual prints. Each edition contains at least four of these component parts, among which are heretofore unseen under-paintings from previous work; a Day-Glo rainbow palette; and motifs drawn from outside sources including perforated paper. The arrangements of circles, grids, and triangles shift from woodblock to screen-print and from one part of the design to another, hinting at the infinite possibilities found within even the strictest rules.
Courtesy of Dundee Contemporary Arts
About Julia Dault
From The Magazine
Screenprint on Somerset Satin (300gsm) paper with screenprint on Peregrina Tungsten Fractal (290gsm) paper applied by chine-collé; Holograms 4 is composed of Screenprint on Somerset Satin (300gsm) paper with screenprint on Peregrina Anthracite Fractal (290gsm) paper applied by chine-collé
31.30 x 22.24 in
79.5 x 56.5 cm
This work is signed and numbered by the artist on verso.
About The Work
In her paintings and sculptures, Julia Dault often uses restrictions, rule sets, and the limitations of found materials and colors to generate compositions. In The Holograms, she has isolated six elements, which she playfully remixes across the four individual prints. Each edition contains at least four of these component parts, among which are heretofore unseen under-paintings from previous work; a Day-Glo rainbow palette; and motifs drawn from outside sources including perforated paper. The arrangements of circles, grids, and triangles shift from woodblock to screen-print and from one part of the design to another, hinting at the infinite possibilities found within even the strictest rules.
Courtesy of Dundee Contemporary Arts
About Julia Dault
From The Magazine
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