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Articles

• How is 2025 shaping up for Michaela Yearwood-Dan?
• How is 2025 shaping up for Shahzia Sikander?
• Why Adam Pendleton’s hand-painted ceramic amphora would look great in your home.
• Jean-Michel Othoniel releases new Artspace and New Orleans Museum of Art edition, Untitled, 2024
• Harland Miller tells Artspace about his new edition R U OK? available to buy now
• Harland Miller, Hilary Pecis, Adam Pendleton, and Jordan Casteel create limited edition amphorae for charity.
• Cameron Jamie releases new edition Pinky Blues, 2024
• Summer Wheat releases new edition, Watering Weeds, 2024
• Tschabalala Self releases new edition The Actress Alexis, 2024
• Hank Willis Thomas releases new Artspace and For Freedoms edition Twilight's Last Gleaming, 2024
• Henry Taylor releases Artspace edition Portrait of Andy Robert, 2024
• Jeff Koons talks to Artspace about his new edition Flag II, 2024
• Art for Democracy: Bid or Buy Now
• Anna Park releases her debut Artspace lithograph Look, look., 2024
• Henry Taylor on Art, Life & Everything In Between
• Arlene Shechet releases debut edition New Dawn, 2024 based on a sculpture in her critically acclaimed Storm King show
• Uman, Felipe Baeza, and Nina Chanel Abney are among artists chosen to create installations for new JFK Airport Terminal
• Arlene Shechet on Art, Life & Everything In Between
• Introducing Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys
• Ana Benaroya releases Artspace and Visual AIDS edition, The Nun's Litany, 2024
• Announcing the sixth volume of the acclaimed Andy Warhol Catalogue Raisonné
• Uman releases Valentine, 2024, a new edition with Artspace and Independent Art Fair
• Anne Buckwalter tells us about her new edition Self-Portrait with Hairbrush, Pen, Book, Leash, and Collar, 2024.
• Anthony Cudahy tells us about his uniquely embellished new edition, Sleeper with Signs
• Anthony Cudahy on Art, Life & Everything In Between
• Gaetano Pesce 1939 - 2024
• The Artspace Art for Life Interview with Pilar Corrias
• Meet Magnus Resch The Man Disrupting the Art World One Data Point at a Time
• Magnus Resch picks the Artspace editions that would look great on any wall
• Charline von Heyl launches 3 new editions with Universal Limited Art Editions
• Guadalupe Maravilla releases Artspace & Ballroom Marfa edition Mini Relámpagos, 2024
• Uman on Art, Life & Everything In Between
• Anne Buckwalter on Art, Life & Everything In Between
• Daniel Richter on Art, Life & Everything Inbetween
• The multi-layered stories behind Anna Perach's new edition and show
• Cerith Wyn Evans releases new Phaidon, Artspace, & White Cube edition
• Nick Waplington tells us how he took this photograph which is now a Phaidon & Artspace limited edition
• Artful Gifting Made Easy
• Dana Schutz launches new Phaidon & Artspace edition, Line Painter, 2023
• Rashid Johnson is to launch first ever Anxious Men edition
• Cerith Wyn Evans on Art, Life, & Everything In Between
• Katherine Bello - 'A woman began crying when looking at one of my paintings. She wanted the freedom it offered.'
• Rebecca Manson releases A Fluke, 2023 - a limited edition bronze with Artspace and TWO x TWO
• Michael Raedecker releases very limited embroidered edition
• Michael Raedecker - 'I chose to combine ‘high’ painting with ‘low’ craft to create new paintings'
• Rebecca Manson on Art, Life, & Everything In Between
• Steven Meisel honors his long-lasting collaboration with Linda Evangelista with the release of a limited edition photographic print
• Artspace Editions are on show at Christie's this month
• Florian Krewer - 'If you open yourself up, you can experience fantastic journeys.'
• Jenny Holzer on Art, Life, & Everything In Between
• Mandy El-Sayegh - ‘The cuts have already been made by life. I’m just selecting those cut things and clustering them.’
• Kenny Scharf launches New York Academy of Art edition, Los Niños Y Las Niñas, 2023
• Michael Raedecker on Art, Life, & Everything In Between
• David Hockney – ‘I realized I was painting my best friends. The subject wasn’t dogs but my love of the little creatures.’
• Ford Crull - 'The brush knows more than your mind. The creative process is an innate sensibility one has to trust.'
• Pam Glick - ‘The dream is that the colors so interact with each other that it’s hard to know what a color is.’
• Noelle Sharp - 'I created a system of rules that would guide me into randomness. And the results are beautiful.'
• Gaetano Pesce - “Before you are free on the outside you must free yourself inside, and that means incoherence.”
• Charlotte Hopkins Hall - 'My work discloses a fear of losing free will in a world gripped by social media and clannist states of mind.'
• How THE SKATEROOM founder stops kids wiping out
• The Artspace Art for Life Interview with Nicoletta Fiorucci
• Despa Hondros - 'People tell me how in awe they are of my dedication to infinite repetition and detailed precision.’
• Look inside Craig's closet at the NYC AIDS Memorial Park
• Woody De Othello releases new edition, our glass, 2023, with Artspace and RxART
• Gaetano Pesce new edition revealed at book signing
• Jameson Green – ‘I sit down and within an hour I have a whole engaged narrative. I go on a roller-coaster of emotion’
• Gaetano Pesce on Art, Life, & Everything In Between
• Felix Lazo - 'I had a friend who would start humming every time he looked at the paintings'
• Take a Look Inside This Simon Evans™ American Dollhouse
• Jameson Green releases new edition with Artspace and Independent Art Fair
• Lia Bekyan - 'Art has an immense power, and usually good stuff has a piece of your soul in it'
• 'Her art resonated in my heart and my core' - Venus Williams recalls seeing her first Simone Leigh artwork
• Interviews with Artists who Make Collage - Rashaad Newsome
• Felipe Baeza launches new edition with Artspace and Visual AIDS
• Christina McPhee - 'Painting is like trying to map an ecology of sensations'
• Jameson Green will be the debut artist in a new Artspace, Phaidon, and Independent limited edition program
• Why Issy Wood’s week beats your year
• Jennifer Guidi – ‘Art was a way to get into a different space. I think that’s what connected me to it’
• Marianne Hendriks - ‘I paint a portrait of a plant like a person, with a soul, and a history, and emotions, and desires’
• Roger Davies - The Art for Home Interview
• Lisa Rosenmeier - 'Reality in my pictures is always more than just a single view'
• Garrett Chingery - 'I make paintings that are a record of the world in which we live'
• Michael Cox - The Art for Home Interview
• Sarah Sze: ‘The edition is super important to me in terms of its collaging aspects. If you look at it from left to right, it invites you to move your body around it in the same way sculpture does’
• Harland Miller: 'I've always loved high and low culture. This painting perfectly encapsulates both, more than any painting I've made.'
• Harland Miller Teams up With London's ICA for 'Letter Painting' Limited Edition Print
• Wangechi Mutu – ‘Working with prints is a kind of archaeography. It's my way to conjure something from the past that can tell me something'
• Dana Schutz's Really Great Year
• Ugo Rondinone's Really Great Year
• Sanya Kantarovsky's Really Great Year
• Celeste Dupuy-Spencer's Really Great Year
• Samara Scott's Really Great Year
• Camille Henrot's Really Great Year
• Mickalene Thomas's Really Great Year
• Loie Hollowell's Really Great Year
• Cecily Brown's Really Great Year
• Ugo Rondinone, the AIDS crisis, and his mystic creativity
• Is that really Wangechi Mutu in the new Marilyn Minter Artspace edition?
• Cheryl Humphreys - ‘I've always been interested in color. Color is vibration in the same way sound is’
• Seol Kwon ‘My earliest creations were female faces, my way of trying to manifest a reflection of myself not visible in the world around me’
• William Kentridge creates limited edition hand-embellished print with Artspace and The Broad art museum
• Christina Burns of Rome Pays Off tells us about the company's new Tom Wesselmann apparel, stationery, puzzles, and bags
• Hilary Pecis - 'I think of painting as an endurance activity, a series of small movements that add up to a finished piece'
• IFPDA Print Fair Preview - An Interview with Gemini G.E.L. at Joni Moisant Weyl
• IFPDA Print Fair Preview - An Interview with BORCH Editions
• IFPDA Print Fair Preview - An Interview with The LeRoy Neiman Center for Print Studies
• IFPDA Print Fair Preview - An Interview with Tandem Press
• Rashid Johnson announces new edition, Little Boat, 2022
• Marcel Dzama on Art, Life & Everything In Between
• Boo Saville: 'I want to create an experience where you are hit in the eyeballs with intensity'
• Rashid Johnson on Art, Life & Everything In Between
• The story behind Jeff Wall’s Fortified Door
• Katherine Bernhardt tells us about her work in our new Greenpeace edition set
• The story behind Stephen Shore's July 22nd, 1969, edition
• Hang This and Take a Stand!
• The story behind Nedko Solakov’s Fear #999
• Ed Ruscha on Art, Life & Everything In Between
• The Female Gaze: Women Artists on the Male and Female Form
• The new Ugo Rondinone edition that melts the gender divide
• The story behind The Worshipper by Luc Tuymans
• The story behind Nan Goldin’s Valérie in the Taxi, Paris, 2001
• Bharti Kher’s monumental maternal figure goes on show in Manhattan
• William Kentridge on Art, Life & Everything In Between
• Steven Klein on Art, Life & Everything In Between
• Spice up or streamline your living space with these desirable designs
• Meet the woman behind a very special new Henry Gunderson limited edition scarf
• Sarah Sze on Art, Life & Everything In Between
• Marilyn Minter on Art, Life & Everything In Between
• Harland Miller on Art, Life & Everything In Between
• Ugo Rondinone on Art, Life & Everything In Between
• 10 surprisingly affordable high-flex works
• Wangechi Mutu on Art, Life & Everything In Between
• Female forms - shape making among great women artists
• Toiletpaper 's new outdoors range is set to make this a surreal summer
• Catherine Mead's images of 'the unexpected beauty that surrounds us'
• John M Armleder and Kenny Scharf launch new swimwear with Vilebrequin
• 6 insights to bring you closer to the art of rising star Sanya Kantarovsky as he launches new edition, Little Vera, 2022
• The Artspace Group Show: Interiors
• Nicole Gelinas - 'I want my work to remind you of a place, a headspace, or a feeling that you have experienced in the past'
• Collect with Confidence - Personal Taste
• Art & Style For Home - The best Artspace design objects for your tabletop
• Naomi Vona - 'I like to imagine that I have an imaginary portal that transports me into the past every time I desire'
• Art & Style For Home - From Skatepark to SoHo Gallery, The Best Boards on Artspace
• David Ondaatje - 'I could photograph waves all day long. I’m just happier near water'
• PRIME FOCUS - Rosa-Johan Uddoh
• In Demand on Artspace - ALEX KATZ
• Come on in, the water's lovely
• It’s time to apply your love of art everywhere you go
• How Steven Evans turned two disco classics into one timeless neon work
• PRIME FOCUS - Samara Scott
• Find your ideal match among these wedding-themed works
• Art & Style For Home - The best Artspace design objects and sculptures chosen by interior designers, artists and graphic designers
• Seven winning works of sports art
• Loie Hollowell: 'I was thinking about how this painting would actually function if I was trying to regain consciousness, and absorb color through a new brain space'
• Take the scenic route to some great landscape photography
• Why Sanya Kantarovsky wants his paintings to pull you in
• ANATOMY OF AN ARTWORK – Dry Cell, 1988 by Jean-Michel Basquiat
• Browse the best of Frieze on Artspace
• Artspace and Phaidon launch Prime - Art's Next Generation at MATCHESFASHION
• PRIME FOCUS - Marianna Simnett
• Jean Jullien: I want ‘to recreate the essence of something that made us happy when we were children’
• PRIME FOCUS - Munem Wasif
• PRIME FOCUS - Tony Albert
• PRIME FOCUS - Miriam Laura Leonardi
• PRIME FOCUS - Andrés Pereira Paz
• PRIME FOCUS - Sofia Gallisa Muriente
• PRIME FOCUS - Marilyn Boror Bor
• PRIME FOCUS - Magnhild Øen Nordahl
• PRIME FOCUS - Rayyane Tabet
• PRIME FOCUS - Jesse Mockrin
• 8 solid choices for your first sculpture buy
• PRIME FOCUS - Jill Mulleady
• PRIME FOCUS - Evan Ifekoya
• PRIME FOCUS - Christina Quarles
• PRIME FOCUS - Caroline Walker
• PRIME FOCUS - Sara Morawetz
• PRIME FOCUS - Sebastian Mejia
• PRIME FOCUS - Buhlebezwe Siwani
• PRIME FOCUS - Harold Ancart
• PRIME FOCUS - Benjamin Ossa
• PRIME FOCUS - Marguerite Humeau
• PRIME FOCUS - Daniel Crews-Chubb
• PRIME FOCUS - Reginald Sylvester II
• Minimalist masterpieces without a maximalist price tag
• Art for Earth Day
• Doron Langberg on the love that inspired his new edition
• Cut and Paste - A Close Look at Collage
• The Artspace Group Show: Celestial Bodies
• The Artspace Group Show: Dance
• The Artspace Art for Life interview with Danda Jaroljmek
• ANATOMY OF AN ARTWORK Untitled (I Shop Therefore I Am) 1987/ 2019 by Barbara Kruger
• Art with a Tale to Tell
• ANATOMY OF AN ARTWORK Infinity Mirrored Room – The Souls of Millions of Light Years Away by Yayoi Kusama
• Magnum Paris Director Samantha McCoy guides you through her favorite Magnum photos on Artspace
• Why Doron Langberg wants to make queerness ‘casual’
• Ross Craig – 'There’s a sort of affirmation when someone picks your image. It’s not just me that likes it, it’s other people'
• ANATOMY OF AN ARTWORK Pixel Forest Transformer, 2016 by Pipilotti Rist
• The Artspace Group Show: Ukrainian Art
• Matthew López-Jensen – ‘‘When I’m walking in the landscape I compose pictures in something that feels close to a dream state"
• Christopher LaGuardia - The Art for Home Interview
• Camille Henrot wows Frieze LA
• ANATOMY OF AN ARTWORK The Red Studio, 1911 by Henri Matisse
• Stay on point with Prime: Art’s Next Generation
• Nicolas Party launches debut Artspace woodcut edition
• ANATOMY OF AN ARTWORK Head VI, 1949 by Francis Bacon
• Carmen Herrera - 1915-2022
• Take a look at Phaidon's new season art books
• ANATOMY OF AN ARTWORK American People Series #20: Die, 1967 by Faith Ringgold
• Looking at the logic in David Byrne’s new show
• Pull up to my bumper baby!
• A contemporary take on classical mythology
• New KAWS London Serpentine show set to be the most visited art exhibition ever
• David Byrne is releasing an edition with Artspace and Phaidon
• 'An image rained into a space' – Samara Scott on her new Artspace Edition
• The Artspace Group Show: Water
• 2021 - A Year of Giving Generously
• Collecting in 2021
• The Artspace End of Year Quiz
• ANATOMY OF AN ARTWORK Le Rodeur: The Pulley, 2017 by Lubaina Himid
• Ferren Gipson describes how she created The Ultimate Art Museum
• Remembering Lawrence Weiner
• Mickalene Thomas releases two new Phaidon Artspace Editions
• The Artspace Art for Life Interview with Barry Schwabsky
• Tillie Burden – 'I make objects in glass to present another perspective, to express the material as a sculptural medium'
• Nicolas Party smashes auction record
• The 2021 Holiday Collection - PLAY
• The 2021 Holiday Collection - LOUNGE
• The 2021 Holiday Collection - ADORN
• The 2021 Holiday Collection - DINE
• The 2021 Holiday Collection - CELEBRATE
• Salman Toor on Unquestioning Love
• Lisa Yuskavage on Unquestioning Love
• The Haas Brothers on Unquestioning Love
• Sarah Sze on Unquestioning Love
• Elmgreen & Dragset on Unquestioning Love
• Trevor Paglen on Unquestioning Love
• 5 Smart Pieces to Bid on in Our Remastered Auction
• Cosimo Cavallaro – ‘Art is not what I control but rather what I discover’
• Lewis Miller - The Art For Home Interview
• Lewis Miller on His First Ever Flower Flash Limited Edition
• Laura Currie of Prospect Picks Ten Editions and Objects to Mark Ten Years of Artspace
• Cig Harvey - The Art For Home Interview
• Shawn Henderson – The Art For Home Interview
• The story behind Miss Spring and Yoshitomo Nara’s artistic reawakening
• Cindy Rachofsky – 'We were the model for what so many do today in the art world'
• Look Inside The New York City AIDS Memorial Auction
• What to expect from Frieze London
• Ten OMR Prints to Mark Ten Years of Artspace
• Ten art world influencers who helped us see things differently
• Durk Dehner, President of Tom of Finland Foundation – The Art for Home Interview
• Ten Great Choices by Ten Great Tastemakers
• Bill Claps - ‘I hope the images make people feel the power of nature, and help them realize we are a small part of it, not the center’
• Ten Gemini G.E.L. Prints to Mark Ten Years Of Artspace
• Wise Words From Ten Artworld Insiders
• Ten Great Causes Over Ten Great Years
• Ten great insights from ten great artists who made Artspace editions
• Paul Gulati of Universal Design Studio – The Art for Home Interview
• Jim Hodges describes his new Phaidon/ Artspace edition and the processes by which his work unfolds
• Helen Thompson – The Art For Home Interview
• Serge Hamad - 'I always felt that I could speak out in a deeper sense when using photography'
• James Crump – The Art for Home Interview
• John Folchi – 'Among my earliest childhood memories is one of an aesthetic response to the beauty of clouds’
• Sandra Platas Hernández - 'I find the beauty in every little thing that surrounds me'
• Putnam & Putnam Unveil Limited Edition Floral Prints
• S.K.Sahni – 'An artist creates work first for himself but sharing it with others to awaken their inner self is equally important'
• Drew Doggett – 'I select subjects that are extraordinary to share the world’s beauty'
• Alberto González Vivo – 'I think if the work has the desired effect on me, it will have that effect on others'
• 5 things to look out for in the Celeste Dupuy-Spencer edition
• Lindsay August-Salazar – “Art has the capacity to expand my deeper drive and interest in human expression'
• Colleen Blackard - 'From an early age I found it easier to communicate with gestures and pictures than with words'
• Bepi Ghiotti - 'An artwork is never still although what it represents might seem like it is'
• Catherine Opie tells us how she shot this powerful photograph at the first ever women's march
• Rey Zorro - 'When we went on holiday we’d put chairs on the beach to look for UFOs in the night sky. This was normal at home; we never spoke about it as being ‘out of this world’
• Meet the people behind Assembly - a new kind of gallery
• The Artspace Art for Life Interview with Adam Clayton
• "We have an opportunity to not just 'return to normal' but to create a new normal" – Glennda Testone
• ‘My interests include the relationship of one’s self to the world, surrealism and mystery’ - Garrett Chingery
• ‘It takes a lot of energy to tap into whatever is trapped inside the material - the process is like a releasing a spirit’ – Jerry The Marble Faun
• 'I am most inspired by those weird transitional moments or in-between states where things undergo metamorphosis' - Anthony Goicolea
• 'Unhappy and happy flow back and forth like a tide making art. I’m working to be OK with that' – TM Davy
• ‘I’m most comfortable in that state of unknowing - is it real or imagined?’ - William Eric Brown
• 'I was really trying to paint what it feels like to be living in the fall of human civilization' - Celeste Dupuy-Spencer on her powerful new Artspace edition
• Maxi Cohen - "I find being in water - lakes, rivers, ocean, hot springs - is where I am most creative, where I sink into deep connection with myself"
• Our pick of Phaidon's new art and photography books for fall 2021
• Catherine Opie - 'With these photos, I'm asking us to contemplate, quite honestly, what’s happening to our world'
• Devin Troy Strother describes his new Artspace and Free Arts NYC edition - ‘It’s similar to just growing as a black person; gotta code switch, and juggle all type situations’
• MOCA LA Director Klaus Biesenbach on his hit Zoom studio visits and the Artspace artist editions that resulted from them
• Free Arts NYC founder Liz Hopfan talks about her work and the new Artspace edition with Devin Troy Strother
• Huma Bhabha describes her new Artspace and MOCA LA print and explains how classical statuary, sci-fi and taxidermy all inform her art
• Jade Montserrat - Why I Draw
• Jonas Wood breaks auction record at Christie's
• ‘I attribute a lot of value and care to editions, and I really enjoy making them’ – Camille Henrot releases new print, Mother Tongue, with Artspace and MOCA LA
• ‘Artists need this kind of environment more than ever’ - Skowhegan’s Katie Sonnenborn and Sarah Workneh on the art school’s 75th anniversary
• 'I have been chasing that golden hour ever since’ - Christina Quarles talks about her new Artspace & Phaidon edition with Skowhegan
• Tania Kovats - Why I Draw
• World Exclusive: ‘I’ve never done a black painting as a print before and they’re such an important body of work for me.’ Cecily Brown talks about her debut Phaidon/ Artspace edition
• The Artspace Art for Life Interview with John Pawson
• Emily Bills - The Art for Home Interview
• Emma Talbot - Why I Draw
• Kyle Thurman - Why I Draw
• The Artspace Art for Life Interview with Valeria Napoleone
• Charmaine Watkiss - Why I Draw
• Matthew Patrick Smyth – The Art for Home Interview
• John Wood and Paul Harrison - Why We Draw
• Six Works for the Chinese New Year
• Martin Wilner - Why I Draw
• Christina Quarles - Why I Draw
• Nathaniel Mary Quinn - Why I Draw
• Mauro Giaconi - Why I Draw
• Anton Kannemeyer - Why I Draw
• Rachel Goodyear - Why I Draw
• Pale and Interesting? No! These Works are White Hot. . .
• 2020 Vision
• Minnie Muse Debuts New Consumerism Ashore Series
• Spring Studios and Artspace Team up to Offer Lockdown Photography Shot at Home
• INTERVIEW: Adam Pendleton on the Impulse to Transform and Transfigure, Why Errors Make the Image Worth Looking at and How You Should Hang his New Artspace Edition
• The Art of Giving
• Red Hot founder John Carlin Talks About AIDS, the Art World of the 80s and Reimagining David Wojnarowicz and Jenny Holzer's Iconic T-shirts for a New Age
• Derrick Adams Just Launched Some Very Cool Swimwear With Vilebrequin
• The Artspace Group Show: Mothers
• The Artspace Group Show: Youth
• Color Coordinated
• The Artspace Group Show: Winter
• The Artspace Group Show: The Moon
• Get To Know Simone Leigh, The Artist Representing America in Venice in 2022
• Rhinestones, Sequins, Paint, Photography and Linocuts - 5 Great Pieces on Women's Equality Day
• 10 Questions for Met Museum Director Max Hollein
• INTERVIEW: Genesis Tramaine on Her New Artspace and NYFA Limited Edition Print, Black Woman University
• UNTITLED, ART's Jeffrey Lawson and Manuela Mozo on How This Year's Fair Went High-Tech
• What to Say About Your New Cecily Brown Print
• What to Say About Your New Robert Longo Print
• INTERVIEW: Jessica Stockholder On Fiction, Fantasy And Illusion
• Jeff Koons on Desire, Beauty, the Vastness of the Universe, and the Intimacy of Right Here, Right Now
• INTERVIEW: Sarah Sze on the Changing Pace of Time and Space, the Ebb and Flow of Information, and How all Art is Essentially Sculpture
• INTERVIEW: Chris Levine on Photographing The Queen, Naomi Campbell and The Dalai Lama
• Elizabeth Peyton's Lockdown Listening
• Wilhelm Sasnal's Lockdown Listening
• 10 Artspace Artworks We Chose For Our Zoom Backdrops
• What these contemporary, modern and conceptual artists do with woodcuts is wonderful
• Eric Fischl on Art School, 80s New York, and His New Artspace Limited Edition Print
• Interview: Eric Fischl on His New Artspace Limited Edition Print and His Steps to Becoming an Artist
• Interview: Eric Fischl on His New Artspace Limited Edition Print
• What to Say About Your New KAWS Print (or Sculpture or Silkscreen)
• The Power of Green: Get ready to Go With 10 Artworks That Calm The Senses And Signal a Rebirth
• What to Say About Your New Frank Stella Print
• These Artworks Will Soothe You In Tough Times
• Amazing Artists Who Worked Best in Isolation
• How To Use Art Theory To Curate Your Collection
• Artist Jean-Michel Othoniel Picks Some of his Favorite Works on Artspace
• What to Say About Your New Jenny Holzer Print (or LED or Skateboard. . . )
• How Elizabeth Dee Made Independent a Very Different Kind of Art Fair
• If You Like Bruce Nauman, You'll Love These 8 Artists
• What to Say About Your New David Salle Print
• What to Say About Your New Nan Goldin Print
• What to Say About Your New Katherine Bernhardt Print
• "What I'd Buy This January '20": Artspace's Advisor Shares the Artworks in Her Cart
• 'He wasn’t being coherent, but this didn’t interfere with the carnival of affection that surrounded him' Art Critic Calvin Tomkins on Cattelan, Christo and Hirst
• The 13 Must-Read Artist Interviews of 2019
• 5 Reasons to Collect KAWS's Ceramic Plate Set
• Video: A Studio Visit With Maya Lin
• Critic Calvin Tomkins on Vija Celmins (And Her Cat)
• "What I'd Buy This November '19": Artspace's Advisor Shares the Artworks in Her Cart
• Straight From the Studio: Meet Tomer Alexander
• Cecilia Vicuña on Invisible Art, Solidarity, and "Not Belonging"
• "What I'd Buy This October '19": Artspace's Advisor Shares the Artworks in Her Cart
• "You Hit Me With a Flower": 5 Reasons to Collect Gary Hume's "Vicious"
• Great Women Artists: The 400 Most Important Female Artists Over the Last 500 Years
• A Q&A With Emily Hoerdemann: California's Dreamiest Artist
• Where to Buy Fine Art Prints by Famous Artists: 7 Printing Presses to Know
• 8 Never-Before-Seen Ephemera from North Korea Show the Hauntingly Beautiful Graphic Designs of Dictatorship
• "What I'd Buy This August '19": Artspace's Advisor Shares the Artworks in Her Cart
• 6 Reasons to Collect Ida Ekblad, Norway's Fastest Rising Art Star
• Four Questions for Collage Artist Charles Wilkin
• Want to Laugh at Some Paintings? Here Are 6 Super Ugly Medieval Dogs
• “None of Us Are Free Unless We’re All Free:” The Curators of "Art After Stonewall, 1969-1989" in Conversation
• Gilliam, Richter, Schutz, & More: 8 Prints to Invest In
• "Rise, React, Revolt": 5 Reasons to Collect These Iván Navarro Works
• Not Your Grandmother’s Florist: 9 Contemporary Floral Designers in Bloom
• Up For Auction This Week: 6 Blue-Chip Artworks You Should Definitely Bid On
• Collect the Moody, Noir Artworks of David Lynch
• Interior Designer Carolina Irving on Camp, Authenticity, the Problem with Good Taste
• Help Lawrence Weiner Make His Art
• 5 Reasons to Sew Seeds in Ben Sander's Painted Pots
• Grants 101: A Savvy Artist's Comprehensive Guide to Finding Funding & Support
• Collect Bill Claps' Glistening Gold Artworks that Pay Homage to Art Historical Icons
• Jorge Otero-Pailos's Latex Casts Extract Environmental Histories from Monumental Architecture
• 5 Reasons to Collect Faith Ringgold's "Story Quilt" Silkscreen
• Acquire These 8 Artworks by Whitney Biennial Artists
• The 'Vitamin T' List: 113 Artists on the Cutting-Edge of Textile Art
• 5 Things To Know About the Late, Great, Carolee Schneemann
• Michael Xufu Huang's Consumption Habits: Chinese Hip Hop, Youtube Recaps, & More of the M WOODS Co-Founder's Favorite Things
• 6 Reasons to Collect Lee Quiñones, the Real O.G. of Street Art
• The Tate Modern Used to Be a Power Plant? 5 Abandoned Buildings Transformed Into Art-Related Spaces
• It's Never Too Late: 6 Artists Who Found Fame Later In Life
• What to Buy: Guy Yanai's Homage to Calder
• Prada Marfa, Satan, and Magnetic Dogs: The Upcoming Art Books to Get Excited About
• Collect the Top-Selling Artists from Phillips' Record-Breaking Year
• Nuclear Waste Art and Flying Bouncy Castles: The 8 Most Dangerous Artworks
• 6 Reasons to Collect Eco-Feminist Chilean Artist Cecilia Vicuña
• Art You Should Know: Seven 21st-Century Masterpieces
• 6 Reasons to Collect Jonas Mekas' Loving Tribute to New York City
• Petra Collins' Consumption Habits: Scary Anime, Leopard Print, and More of the "It" Girl's Favorite Things
• In the Studio with Artist Roxa Smith & Her Colorful Interiors
• "I’ll Show Your Most Illustrious Lordship What a Woman Can Do!”: Artemisia Gentileschi, the Best Baroque Feminist Painter You've Never Heard Of
• 5 Reasons to Collect Anime-Style Lithographs By Mr.
• Beacon of Light: The 7 Best James Turrell Works You've Never Heard Of
• Sotheby's Estimates Skateboards Sell for 1.2 Million—Collect Skatedecks on Artspace From $200
• Straight From the Studio: Collect Alice Quaresma's Painted Photographs that Blend Landscape with Geometry
• 7 Dope Reasons Why Guy Overfelt's "Picasso Bong" Will Exceed Your High Expectations
• 7 Artists to Watch in January 2019
• The 13 Most-Read Artspace Articles of 2018
• Our List of 2018's Most Talked About Artists
• Chinese Artist Ai Weiwei Describes His 81 Days in Prison—And the Extreme Surveillance, Censorship, and "Soft Detention" He's Endured Since
• 5 Reasons to Collect Ebony G. Patterson's "Neo-Baroque" Art
• Pass On Your Love of Art with These Adorable Children's Books
• Streaming: 10 Art-Related Movies (and TV Shows) to Binge Watch Over The Holidays
• Untitled Art, Miami Beach Preview: Creative Time's Justine Ludwig Picks Her Favorites
• NADA Miami 2018 Preview: Marciano Foundation's Jamie Manné Picks Her Favorites
• NADA Miami 2018 Preview: Artist and Dealer Margaret Lee Shares Her Favorite Works
• Untitled Art, Miami Beach Preview: Ace Hotel's Kelly Sawdon Describes Her Favorite Works
• Untitled Art, Miami Beach Preview: Visual AIDS Executive Director Esther McGowan Picks Her Favorites
• How Free Speech Debates Are Unfolding in the Art World, As Jeff Koons Gets Sued for Plagiarism Yet Again
• Auction Hack: Collect 5 Artists You'll See at Auction Tomorrow—For Less
• Reading Martha Rosler: Why Her Retrospective at the Jewish Museum is the Antidote to Our Post-Midterms Angst
• How to Photograph Your Art Like a Professional
• Collecting with a Conscience: How to Benefit Others While Building the Collection of Your Dreams
• Not Just 'Cause: 5 Great Reasons to Collect KAWS' Toys
• Six Reasons to Collect Salvador Dalí's Prints
• A Look Into 7 Groundbreaking Architectural Drawings—From 1230 BC to Today
• Pick Your Favorite Fall Accessory and We'll Tell You Which Art World Person You Are
• A Peek Inside Frida Kahlo's Homes and Studios—And the Style that Made Her an Icon
• No, Beauty Is NOT In the Eye of the Beholder—On Objectively Identifying Beautiful Art
• 8 Artists to Watch in October 2018
• What Was Art Nouveau? The Artists and Histories Behind One of the Most Short-Lived Yet Memorable Movements
• Four Reasons to Collect These Egon Schiele Prints
• Watch the Panel Discussion "Andy Warhol: A Conversation"
• Video: A Look Inside Lucian Freud's Painting Studios
• New York Art Events You Won't Want to Miss This October
• Destination Art: 15 Permanent Public Artworks Worth Traveling the Globe to Experience
• For the Love of Animals: Artistic Renderings of the Zoological World Throughout History
• Massimiliano Gioni Interviews Provocative Artist Sarah Lucas in Time for Her Current Retrospective at the New Museum
• 10 Things to Know About Harmony Korine—The "Kids" (1995) Filmmaker Turned Gagosian Artist
• Abolish the Art Fair? Why Basel's New Tiered Pricing Structure Can't Fix a Bankrupt Model
• The Detroit Art Collector Developing Downtown With an Eye for Public Art
• 9 Artists to Watch in September 2018
• 5 Reasons to Collect Polly Apfelbaum's Enamel-on-Metal Tile
• Andy Warhol Made Abstract Art? A Look at His "Piss, Oxidation, and Cum" Paintings
• Collect the Winners of the Prestigious Hugo Boss and Guggenheim Prizes—For Under $4,000
• Nightlife Maven Ladyfag on Creating Platforms for Performing Artists—A.K.A. Parties
• Watch the Trailer for the Upcoming Documentary on Yayoi Kusama, "Kusama—Infinity"
• The Voice Inside Your Head: 5 Reasons to Collect Jordan Wolfson's "Untitled" Print
• Jess T. Dugan's Graceful Portraits Capture Transgender People as They Age
• Q&A: William Eric Brown's Layered Photographs Represent a State of Mind
• Watch 12 Devastating TV Comedies Mock the Art World—From Laughter or Pain, You'll Cry Either Way
• Float on a Cindy Sherman Portrait for $250
• Superforms and Praying Machines: Massimiliano Gioni Interviews Thomas Bayrle
• Meet Some of New York Academy of Arts' Most Talented Alumni Artists (And Browse the Online Exhibition)
• What Was American Regionalism? "I Realized My Best Ideas Came to Me Whilst I Was Milking Cows"
• "I Only Know What I Like and What I Want": Damian Loeb on Curating the Artspace x New York Academy of Art Alumni Exhibition
• "Living in a Female Body Is Like 'Alien' Meets Jackson Pollock": Sara Magenheimer on Her Process—And Women's Intrinsic Understanding of Abstraction
• Bling and Boob Jobs: Lauren Greenfield's New Documentary "Generation Wealth"—And the Photos that Started it All
• "Shut Down Our Clinics and We Will Shut Down Your ‘Church’": David Wojnarowicz's Writing on the AIDS Epidemic That Took His Own Life
• 4 Reasons to Collect Daniel Arsham's "Hourglass"
• Q&A with Snarkitecture—The Design Studio You Need to Know (And Probably Already Do But Don't Know It)
• Living Under a Rock? Need-to-Know Art News for the Week of June 22nd, 2018
• "I Am Too Tall, Too Pale, and Too Gringo": Francis Alÿs on Being a Belgian Artist in Mexico City
• The Broad Collaborated with Yayoi Kusama to Produce These Stunning Objects—Here's What They Have to Say About the Process
• Ten 20th-Century Masterpieces You Need to Know
• Collect the Artists Featured at Basel—For A Fraction of the Price
• 4 Things You Didn't Know About the Iconic Piero Fornasetti
• A Q&A with Artists Kameelah Janan Rasheed and The Black School on Their Installations at the New School
• 1990: Hans Ulrich Obrist Explains Why Damien Hirst's "A Thousand Years" Stopped Francis Bacon in His Tracks
• Q&A: Being Lost at Sea and Finding Spiral Jetty with Tacita Dean—The Artist Taking Over London
• 6 Reasons to Collect Jamian Juliano-Villani's Print "My Little Corner of Stowe, Vermont"
• 1993: Jenny Holzer's Feminist "Sex Murder" Raised Fury in Germany—For All the Wrong Reasons
• 4 Reasons to Collect Pilar Wiley's Patterned Ceramic Vessels
• 4 Reasons to Collect Alex Da Corte's $825 Edition
• "Vices & Virtues": The Political Art of Bruce Nauman
• A One-Sided Love Story: 3 Artworks Based on the Myth of Narcissus
• Take Note: 4 Reasons to Buy the Farnsworth's Dollar Paintings
• You Had Better Make Some Noise: 11 Inspiring Artist’s Quotes About Protest
• David Allan Peters' Carved Paintings Are Too Gratifying Not to Touch
• 5 Reasons to Collect Larry Bell's Trippy Screenprints
• Collecting Strategies: Invest in These 8 Works By 'Artists To Watch' Alumni
• 7 Artists to Watch April 2018
• Was the YouTube Shooter a Video Artist?
• How Duchamp, Kusama, & Basquait Take Selfies: 27 Contemporary Self-Portraits
• Collecting Hack: How to Buy Art Online Using Artspace's Marketplace & Advisory Services
• 4 Reasons to Collect Laura Owen's 2010 Aquatint
• Q&A: Exiled Iranian Artist Shirin Neshat on the Making of "Women Without Men"
• I Can't Believe It's Not A Photo! 7 Artists Using Photorealism in Drawing
• The Art Market is Growing Quickly Online (& Other Findings from the TEFAF Report)
• 4 Reasons to Collect the Colorful Geometries of Geoffrey Todd Smith
• "If Our Work Is Fascist, It's Because Desire Is Already Fascist": A Q&A with Jake and Dinos Chapman
• Collecting Strategies: Invest in These 6 Artists Who Had Solo Shows at MoMA PS1
• 4 Reasons to Collect Rose Wylie, Currently on View at The Serpentine
• "You Need to Feel You're Actually Being Violated": The Words of Controversial Photographer Nobuyoshi Araki in the Wake of the #MeToo Movement
• Q&A: Baltimore-Based Collectors Larry Eisenstein and Robin Zimelman Find Joy in "Difficult" Post-2000 Art
• How to Exhibit the Legacy of an Icon: An interview with "David Bowie Is" Curator Geoffrey Marsh
• Collector Carla Shen Describes Her Favorite Works at NADA New York 2018
• "Expect Nothing, Do Your Work, Celebrate": Jules Olitski on How "Honest" Paintings Are Made
• 5 Reasons to Collect Mel Bochner's "Framed Amazing Art Print"
• "I Have The Taste of Almonds From Your Lips In My Mouth," and Other Steamy Quotes on Love and Passion by Your Favorite Artists
• Sneak Peek: 15 Pieces from the New Museum Triennial, "Songs for Sabotage"
• Join the Tate in Collecting These 6 Artists
• Q&A: Peter Doig on the Haunting Influence of Place
• 4 Reasons to Collect Sara Magenheimer's $500 Work—Besides Her New Museum Show
• Detonating Cultural Borders: An Interview with Cai Guo-Qiang
• The Recent Evolution of Art in China: 4 Movements That Influenced Culture from XinJiang Province to the East China Sea
• Hop to It: 4 Reasons to Collect Claes Oldenburg's 'Calico Bunnies'
• "Casting it in Plaster Monumentalized a Space That is Ignored": Rachel Whiteread on the Sculptural Elements of Emptiness
• For Good Luck: Collect Jiha Moon's Ceramic Fortune Cookies
• The 12 Best Art Interviews of 2017
• Artspace's 17 Most Read Articles of 2017
• Year in Review: Here Are the Most Talked About Artists of 2017
• 4 Reasons to Collect These ‘After Andy Warhol’ Prints
• Artist Focus: Sebastiaan Bremer's Embellished Memory
• 4 Reasons to Gift Keith Haring's Wooden Chair to a Creative Little One
• Ho Ho Ho: 12 Holiday Gifts for Art Lovers
• Patton Hindle, Kickstarter's Director of Arts, Describes Her Favorite Works from NADA Miami 2017
• 21c Curator Alice Gray Stites's Favorite Artworks From NADA Miami 2017
• 4 Reasons to Collect This Jonas Wood Scarf
• The Artists Who Made ArtReview's Power 100 List
• "The Portrait is Always Dependent on the Moment": Read What Annie Leibovitz Wrote About Becoming a Photography Icon
• The Four-Hour Art Week? Read Carol Bove's Self-Help Guide for Artists
• "Easy to Swallow, Hard to Digest": 5 Reasons to Collect Nina Chanel Abney
• Paul Chan on Erotica, E-Book Censorship, and "Quitting" Art to Become a Book Publisher
• Carolee Schneemann on Embodying the "Movement from Interior Thought to External Signification"
• "Do Women Have to Be Naked to Get Into the Met?" 13 Artworks (Spanning 50,000 Years) of the Female Nude
• NSFW! 10 Erotic Artworks That Will Make You Feel Like A Prude
• Jimmie Durham on Being an "Artist First and Activist Second"
• 4 Reasons to Collect Angel Otero's Trompe L'oiel Print
• Destination: Louisville, Kentucky—An Art-Lover's Guide
• "Unless I Swam Upstream, I’d End Up Only Speaking to the Wealthy": Artist Tauba Auerbach On Bookmaking as a Form of Protest
• Tales from the Crypt: 7 Famous Artists Describe their Favorite Ancient Artworks from the Met's Vault
• "New York Made Me Sick at Heart.": Performance Artist Zhang Huan Reflects on How America Made Him More Chinese
• How Did Feminist Art Begin? A Brief History of Women Rejecting Patriarchy in the Art World
• 8 Artists to Watch this October
• "The Most Insane Thing You Can Ever Do is Try to Be Sane": An Interview with Gillian Wearing
• Audio Artist Christian Marclay and Sonic Youth's Kim Gordon Talk Performance, Sound, and Rock & Roll
• Don't Let Laure Prouvost's Prints Boss Your Around—Or Do
• Q&A: Ilya Kabakov on Creating the Soviet-Inspired Installations on View at the Hirshhorn and Tate Modern
• 8 Game-Changing Contemporary Ceramists to Add to Your Collection
• 4 Reasons to Collect the Celestial Abstractions of Theodore Boyer
• Let This Be Your Guide: 7 Famous Artists Describe Their Favorite Artworks at The Met
• In This 1963 Interview, Roy Lichtenstein "Doubts" Pop Art Will Have a Lasting Influence
• 4 Reasons to Collect Trevor Paglen's Surveillance Art
• Why Collect Eva Rothschild's 'Classic'?
• Ceramic Art Has Made A Comeback—Here's How
• 8 Artists to Watch in September
• Under the Influence: Robert Ryman and His Obsession with Mark Rothko's Painting
• 4 Reason to Collect Sanford Biggers's 'Lotus' Print
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• 4 Historical Art Movements That Arose in the Wake of Authoritarian Regimes
• Beyond Supply and Demand: How Artworks are Priced
• "I Don’t Need an Interview to Clarify My Thoughts": An Interview with Louise Bourgeois
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• How to Make Useful Art as a "Proposal for Alternative Living": Nicolas Bourriard Interviews Lucy Orta
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• From Beatles to Beck—Here Are the Stories Behind Some of the Most Iconic Album Covers
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• 7 Innovative Mobile Abodes (and the Artworks They Curiously Resemble)
• Neil Patrick Harris Named His Son After Gideon Rubin—Who Else Does the Actor Collect?
• Why Lygia Pape Matters: 'Web 1, C' and Neo-Concretism
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• Anti-Authoritarian Street Artist Chris Johanson on Finding Peace and Positivity in Painting
• 4 Reasons to Collect James Welling's 'Seafoam' Film Still
• Steal vs. Splurge: Vitali, Ruff, Warhol, Tillmans
• "Iceland Could Have Been Anywhere": Roni Horn on How to Be Present Amidst Shifting Landscapes
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• Watch Art21's Newest Short Video: "Aki Sasamoto is Feeling Stretched"
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• Hilton Als, Mel Chin, Coco Fusco, and Martine Syms To Tackle "Post-Truth" at Culture Lab Detroit 2017
• "I Like Faces More Than I Like Artworks": Maurizio Cattelan on Not Being A Real Artist
• "My Work Isn't About Junk": Jessica Stockholder on Debunking Common (Mis)Understandings of Her Work
• 7 Emerging Artists to Watch in July
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• Three Exhibitions That Were Censored (Or Worse) For Challenging the Status Quo
• 4 Reasons to Collect Mimi Gross's Sunbathers
• Behind the Scenes and Between the Lines: On Making a Monograph with Kerry James Marshall
• "Like Noah Hunting the Animals He Saved On the Ark": Mark Dion on the Contradictions of Environmentalism
• Jordan Casteel on Painting Black Men—Watch the Video
• Bottle Up Your Magic in Vincent Dermody's "Spirit Jugs"
• Steal Vs Splurge: Hockney, Kusama, Rosenquist, Knoebel
• Alexander Calder, More than a Sculptor, Made Paintings, Jewelry, and Stage Sets
• Kerry James Marshall on Painting Blackness as a Noun Vs. Verb
• 4 Reasons to Collect Kerry James Marshall's 'Untitled (Man)'
• Watch "Avery Singer's Next Painting"—Art 21's Newest Short Video
• VI, VII
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• 4 Reasons to Collect Farhad Moshiri's "Curl"
• The Late Nancy Spero on Turning Anger Into Powerful Feminist Art
• Seven Magnum Photobooks That Changed Photography by Making Art Out of Life
• 4 Reasons to Collect Tracey Emin's Sexy Neon Lithographs
• Does the Artwork Match the Drapes? Our Guide to Pairing Art With Your Favorite Decorating Styles
• The Artist Who "Invented the Most Since Picasso": Robert Rauschenberg's Innovations in Art
• Words, Thoughts, and Phrases: Ed Ruscha's Literary Pop Paintings
• Polanksi, Eastwood, & Fellini: Cannes' Iconic Director Spills the Beans on the Film Festival's Most Dramatic Personalities
• Steal Vs. Splurge: Don't Pay Auction Prices for Big-Name Artists
• Meet The Commons Choir—Brooklyn's "Polylingual and Multiethnic" Performance Collective
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• "The Birth of Artificial Synthesis": The History of Blue and the Work of Helen Frankenthaler, Pablo Picasso, and Yves Klein
• Emily Auchincloss's Affordable Paintings "Freeze Time at Different Speeds"
• Chuck Close in Conversation with Vija Celmins About Her Dense Yet Infinite Drawings
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• "Things Can Be Stilled, Without Stopping": Edmund de Waal on the Poetry of Pottery
• Quiz: Can You Tell a Warhol From a Lichtenstein? Test Your Knowledge of Pop Art
• 4 Reasons to Collect Nick Cave's Soundsuit Series
• "Green Imposes Its Discomfiting Mood": The History of Green and the Work of Bruce Nauman, Brice Marden, and Olafur Eliasson
• What Do Artists Spend Money On?
• Splurge, Save, Steal: 6 Artworks That Are Deals No Matter How You Slice It
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• The Artist as Critic: Mike Kelley on How He Shaped His Own Legacy
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• Three Movements You've Never Heard Of: Yōga Painting, Nabis, Juste Milieu
• Steve Miller's X-Rays Offer a Glimpse of the World Striped of its Surface
• "The Language Is On Fire and You Just Spit It Out": Massimiliano Gioni Interviews Raymond Pettibon
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• Representing the Black Body: Lorna Simpson in Conversation with Thelma Golden
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• Steal Vs. Splurge: You Know A Good Deal When You See One
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• White Columns Director Matthew Higgs's Favorite Works from NADA New York 2017
• Creative Time’s Nato Thompson’s Favorite Works From NADA New York 2017
• Julie Houts's Hilariously Deprecating Self-Portraits Are All Too Relatable
• "Art Is Not About Skill": Benjamin Buchloh Interviews Lawrence Weiner On His Sensual Approach to Conceptual Art
• Why Yayoi Kusama's Crazy Pumpkins are Sane Investments
• Art Is A Weapon: Hans Haacke on How Art Survived the Bush Administration
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• Artist Eduardo Sarabia’s Favorite Works From Mexico City’s Material Art Fair 2017
• Why These Skateboards Designed By Paul McCarthy Are Worth More Than $250
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• What Was Arte Povera? Hair, Horses, Cabbage, and Italian Artists' Response to the War
• Technicolor Towers and the World's Largest Mural: Discover The Public Art of Mexico City
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• The Botticelli Code: The Hidden Histories Behind 10 of the Florentine Artist's Masterpieces
• Plushy Terrorism and Cities in Suitcases: Artist Yin Xiuzhen on How to Challenge Society With Its Own Refuse
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• Van Gogh’s Secrets: 10 True Tales Behind The Painter's Lesser-Known Masterpieces
• Califabrication: 3 Groundbreaking Golden State Sculptors You Need to Know
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• Laughing at the End of the World: Painter Nigel Cooke on Finding Humor in His Dystopian Landscapes
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• Critter Art, Object-Oriented Ontology, and Donald Trump: 21 Big Ideas From 2016, the Year We Loved to Hate
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• Three of Today's Most Exciting Latin American Painters Take On Identity, Memory, and Representation
• Get “Dogsy” With Marvin Gaye Chetwynd
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• 12 Artworks to Buy This Christmas: Last-Minute Holiday Gifts Edition
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• The New Future of History Painting: 3 International Artists Reclaiming the Genre
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• Eugène Delacroix Has the Answer to Everything: 8 Secrets to Artistic Success From the Father of French Romanticism
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• Celebrate Thanksgiving the Ólafur Elíasson Way: 7 Mouthwatering Recipes Straight From His Studio
• ICA Curator Alex Gartenfeld's Favorite Works from NADA Miami Beach 2016
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